Item Details

Le Mystère de Marcel Cellier: Transfer Processes in Early World Music

Issue: Vol 2 No. 2 (2015)

Journal: Journal of World Popular Music

Subject Areas:

DOI: 10.1558/jwpm.v2i2.26750

Abstract:

Marcel Cellier (1925–2013) played a key role in early world music due to his influential recordings of Le Mystère des Voix Bulgares choirs and of the Romanian pan-flutist Gheorghe Zamfir. As Cellier remained a “footnote” in scholarly literature, the article first provides a biographical sketch, before casting a look at the history of world music before the term was established in 1987. Cellier’s work was significant in providing access to Eastern European music during the Cold War. As will be discussed in the third part of the article, this transfer process was not only intertwined with specific and differently perceived concepts of “authenticity”, it was also tied to a specific mediatized situation.

Author: Britta Sweers

View Original Web Page

References :

Anon. 1987a. “Minutes of the Meeting between the Various ‘World Music’ Record Companies and Interested Parties, Monday 29th June 1987”. fRoots. http://www.frootsmag.com/content/features/world_music_history/minutes/page03.html (accessed 30 January 2015).

—1987b. “Press Release 01—World Music”. fRoots. http://www.frootsmag.com/content/features/world_music_history/minutes/page04.html (accessed 30 January 2015).

—2014. “Gheorghe Zamfir—Der Mann mit der Panflöte”. Seite3.ch, 6 April 2014. http://www.seite3.ch/Gheorghe+Zamfir+Der+Mann+mit+der+Panfloete+/434930/detail.html (accessed 30 January 2015).

Apan, Valeriu. 2000. “Romania”. In The Garland Encyclopedia of World Music Vol. 8: Europe, edited by Timothy Rice, James Porter and Christ Goertzen, 868–89. New York and London: Garland.

Aubert, Laurent. 2007. The Music of the Other, translated by Carla Ribeiro. Aldershot: Ashgate.

Bödeker, Hans Erich, ed. 2003. Biographie schreiben. Göttingen: Wallstein Verlag.

Boyd, Joe. 2006. “How Stalin Created World Music”. The Independent on Sunday, 18 November 2006. http://www.joeboyd.co.uk/press/articles/independent01.html (accessed 30 January 2015).

Brǎiloiu, Constantin. 
1984. Problems in Ethnomusicology, edited and translated by Albert Lancaster Lloyd. Cambridge: Cambridge University Press.

Broughton, Simon. 1999. “Romania: Taraf Traditions”. In World Music: The Rough Guide—Vol. 1: Africa, Europe and the Middle East, edited by Simon Broughton, Mark Ellingham and Richard Trillo, 237–42. London: The Rough Guides/Penguin Books.

—2009. “Romania: Brigands on the Fiddle”. In World Music: The Rough Guide—Europe, Asia & Pacific, rev ed., edited by Simon Broughton, Mark Ellingham and John Lusk, 324–36. London: The Rough Guides/Penguin Books.

Broughton, Simon, Mark Ellingham and Richard Trillo, eds. 2009. World Music: The Rough GuideVol. 1: Africa, Europe and the Middle East, rev ed. London: The Rough Guides/Penguin Books.

Buchanan, Donna A. 1996. “Wedding Musicians, Political Transition, and National Consciousness in Bulgaria”. In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by Mark Slobin, 200–230. Durham, NC and London: Duke University Press.

—2005. Performing Democracy: Bulgarian Music and Musicians in Transition. Chicago: University of Chicago Press.

Burton, Kim. 1999. “Bulgaria: The Mystery Voice”. In World Music: The Rough Guide—Vol. 1: Africa, Europe and the Middle East, edited by Simon Broughton, Mark Ellingham and Richard Trillo, 36–45. London: The Rough Guides/Penguin Books.

—2009. “Bulgaria: Orpheus’s Fairground”. In World Music: The Rough Guide—Europe, Asia & Pacific, rev. ed., edited by Simon Broughton, Mark Ellingham and John Lusk, 48–61. London: The Rough Guides/Penguin Books.

Caute, David. 2005. The Dancer Defects: The Struggle for Cultural Supremacy during the Cold War. New York and Oxford: Oxford University Press.

Cellier, Marcel. 1975. Liner notes, Le Mystère des Voix Bulgares vol. 1. LP/CD DC 008.

—1987. Liner notes, Le Mystère des Voix Bulgares vol. 2. LP/CD DC 016.

—1989. Liner notes, Le Mystère des Voix Bulgares vol. 3. LP/CD DC 017.

Dallas, Karl. 1972. “Sandy: Alone Again... Naturally.” Melody Maker (2 September): 37.

Delorenzi-Schenkel, Silvia. 2005. “Hommage an Marcel Cellier zu seinem 80. Geburtstag”. CH-EM Bulletin 2005: 17–21.

—2013. “Marcel Cellier (1925–2013)”. Bulletin GVS/CH-EM 2013: 26.

Dutton, Denis. 2003. “Authenticity in Art”. In The Oxford Handbook of Authenticity, edited by Jerrold Levinson, 258–74. New York and Oxford: Oxford University Press.

Erlmann, Veit. 1996. “The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s”. Public Culture 8: 467–87. http://dx.doi.org/10.1215/08992363-8-3-467

Folkcatalogue’s blog. 2011. “(1968)—Various Artists: Songs and Dances from Bulgaria. Other Bulgarian Recordings”. http://folkcatalogue.wordpress.com/2011/03/21/1968-various-artists-songs-and-dances-from-bulgaria/ (accessed 30 January 2015).

Guilbault, Jocelyne. 1996. “Beyond the «World Music» Label: An Ethnography of Transnational Musical Practices”. PopScriptum 03. http://www2.hu-berlin.de/fpm/textpool/texte/guilbault_beyond-the-world-wusic-label.htm (accessed 22 August 2015).

Jäger, Siegfried. 2004. Kritische Diskursanalyse. Eine Einführung. Unrast: Münster.

JCEL (Jeune Chambre Économique de Lausanne). 1984. Programme «Appenzell en Fête.» Lausanne: JCEL.

Lettau, Marc. 2012. “Liebesgeschichten hinter dem eisernen Vorhang”. Förderverein Variant 5, Schweiz, September 2012. http://www.variant5.ch/wp-content/uploads/2012/09/Bulletin-55-September-2012-_-Cellier_Layout-1.pdf (accessed 30 January 2015).

Lloyd, Albert Lancaster. 1958. Liner notes, World Library of Folk and Primitive Music Vol XVII: Bulgaria. Columbia Records (KL 5378).

Maino, Rosa. 2012. Information leaflet, “Balkan Melodie”. http://www.alexcellier.ch/Duocd/Marcel_files/PD_BALKAN MELODIE_29012012.pdf (accessed 30 January 2015).

Meintjes, Louise. 1990. “Paul Simon’s ‘Graceland’, South Africa, and the Mediation of Musical Meaning”. Ethnomusicology 34/1: 37–73. http://dx.doi.org/10.2307/852356

Mendívil, Julio and Oliver Seibt. 2004. “Was alles zu hören ist, wenn Katja Ebstein vom Indiojunge aus Peru singt, und was diese Stimmen in der Musikethnologie zu suchen haben”. Die Musikforschung 57/3: 257-68.

Muddyman, Dave, Mark Ellingham, Simon Broughton and Richard Trillo, eds. 1994. World Music: The Rough Guide, 1st edn. London: The Rough Guides/Penguin Books.

Rǎdulescu, Speranța. 2001. Liner notes, World Library of Folk and Primitive Music. Volume XVII: Romania. Rounder Records.

Rice, Timothy. 1994. May it Fill Your Soul: Experiencing Bulgarian Music. Chicago and London: University of Chicago Press.

—1996. “The Dialectic of Economics and Aesthetics in Bulgarian Music”. In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by Mark Slobin, 176–99. Durham, NC and London: Duke University Press.

—2000. “Bulgaria”. In The Garland Encyclopedia of World Music Vol. 8: Europe, edited by Timothy Rice, James Porter and Chris Goertzen, 890–910. New York and London: Garland.

Schwietert, Stefan. 2012. Balkan Melodie. DVD Ventura-Film, Switzerland.

Simpson, Dave. 2010. “Le Mystère des Voix Bulgares—review RNCM, Manchester”. The Guardian, 7 November 2010. http://www.theguardian.com/music/2010/nov/07/mystere-voix-bulgares-review (accessed 30 January 2015).

Sweers, Britta. 2005. Electric Folk: The Changing Face of English Traditional Music. New York and Oxford: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780195174786.001.0001

Taylor, Timothy D. 1997. Global Pop: World Music, World Markets. New York and London: Routledge.

Todorova, Maria. 1997. Imagining the Balkans. New York and Oxford: Oxford University Press.

Troughton, Richie. 2011. “4AD Founder Ivo Watts-Russell on Le Mystère des Voix Bulgares”. The Quietus, 1 December 2011. http://thequietus.com/articles/07510-ivo-watts-russell-interview-le-myst-re-des-voix-bulgares (accessed 30 January 2015).

Weiss, Sarah. 2015. “Listening to the World but Hearing Ourselves: Hybridity and Perceptions of Authenticity in World Music”. Ethnomusicology 58/3: 506–525. http://dx.doi.org/10.5406/ethnomusicology.58.3.0506