| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Gender politics, UK jazz festivals and COVID-19: Maintaining the momentum of change during a time of crisis
|
Sarah Raine |
Jazz Research Journal |
Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals
|
Oct 1, 2021 |
10.1558/jazz.43395
|
Popular Music
|
|
|
Festa do Jazz: A case study on gender (im)balance in Portuguese jazz
|
Jose Dias, Beatriz Nunes |
Jazz Research Journal |
Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals
|
Oct 1, 2021 |
10.1558/jazz.42077
|
Popular Music
|
|
|
The gatekeepers’ puzzle: Programming diversity and inclusion in a jazz festival
|
Michael Allemana |
Jazz Research Journal |
Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals
|
Oct 1, 2021 |
10.1558/jazz.42412
|
Popular Music
|
|
|
Pathways to sustainability: Diversity of programming for audiences in Australian jazz festivals
|
Sean Foran |
Jazz Research Journal |
Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals
|
Jul 30, 2021 |
10.1558/jazz.41156
|
Popular Music
|
|
|
Jazz and cosmopolitan practice: The case of Lloyd Swanton
|
Benjamin Phipps |
Jazz Research Journal |
Vol 14 No. 1 (2020)
|
Mar 2, 2021 |
10.1558/jazz.36831
|
Popular Music
|
|
|
Beyond romance: Rethinking time and narrative in jazz histories
|
Iván Iglesias |
Jazz Research Journal |
Vol 14 No. 1 (2020)
|
Jan 21, 2021 |
10.1558/jazz.41591
|
Popular Music
|
|
|
The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’
|
Juan Zagalaz |
Jazz Research Journal |
Vol 14 No. 1 (2020)
|
Sep 17, 2020 |
10.1558/jazz.40884
|
Popular Music
|
|
|
Islay Jazz Festival
|
Haftor Medbøe, Diane Maclean |
Jazz Research Journal |
Vol 12 No. 2 (2018)
|
Dec 13, 2019 |
10.1558/jazz.40304
|
Popular Music
|
|
|
Jazz’s little brother: The origins of the Spanish blues scene
|
Josep Pedro |
Jazz Research Journal |
Vol 12 No. 2 (2018)
|
Dec 13, 2019 |
10.1558/jazz.38536
|
Popular Music
|
|
|
A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964
|
Ofer Gazit |
Jazz Research Journal |
Vol 12 No. 2 (2018)
|
Dec 13, 2019 |
10.1558/jazz.36914
|
Popular Music
|
|
|
The second masking
|
Corey Mwamba |
Jazz Research Journal |
Vol 12 No. 2 (2018)
|
Nov 14, 2019 |
10.1558/jazz.40105
|
Popular Music
|
|
|
Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain
|
Lawrence Davies |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 14, 2019 |
10.1558/jazz.37806
|
Popular Music
|
|
|
Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham
|
Pedro Cravinho, Brian Homer |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 13, 2019 |
10.1558/jazz.39943
|
Popular Music
|
|
|
The politics, aesthetics and dissonance of music in everyday life
|
Roger Fagge |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 13, 2019 |
10.1558/jazz.39944
|
Popular Music
|
|
|
Living with music: Departures and returns among early New Orleans jazz musicians
|
Nicholas Gebhardt |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 13, 2019 |
10.1558/jazz.39941
|
Popular Music
|
|
|
‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s
|
Anthony J. Bushard |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 13, 2019 |
10.1558/jazz.39106
|
Popular Music
|
|
|
Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz
|
Tom Sykes, Ari Poutiainen |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 12, 2019 |
10.1558/jazz.37944
|
Popular Music
|
|
|
Russia and the Creation of Jazz in the British Everyday Imaginary
|
Robert Lawson-Peebles |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 12, 2019 |
10.1558/jazz.37811
|
Popular Music
|
|
|
‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing
|
Ellen O'Donoghue Oddy |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 12, 2019 |
10.1558/jazz.37810
|
Popular Music
|
|
|
Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED
|
Kimberly Hannon Teal |
Jazz Research Journal |
Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics
|
Oct 12, 2019 |
10.1558/jazz.37803
|
Popular Music
|
|