| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Place and imagined community in jazz
|
Elina Hytönen-Ng |
Jazz Research Journal |
Vol 11 No. 1 (2017)
|
Jul 17, 2017 |
10.1558/jazz.33273
|
Popular Music
|
|
|
Early New Orleans band photography
|
Alan John Ainsworth |
Jazz Research Journal |
Vol 11 No. 1 (2017)
|
Jul 7, 2017 |
10.1558/jazz.33607
|
Popular Music
|
|
|
Promotion anxieties: Jazz promoters within the UK scene
|
Haftor Medbøe, Zack Moir |
Jazz Research Journal |
Vol 11 No. 1 (2017)
|
Jun 15, 2017 |
10.1558/jazz.32504
|
Popular Music
|
|
|
The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report
|
Emma Webster, George McKay |
Jazz Research Journal |
Vol 9 No. 2 (2015)
|
Jul 20, 2016 |
10.1558/jazz.v9i2.29783
|
Popular Music
|
|
|
Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year
|
Matthias Heyman |
Jazz Research Journal |
Vol 9 No. 2 (2015)
|
Jul 19, 2016 |
10.1558/jazz.v9i2.30202
|
Popular Music
|
|
|
Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’
|
Clifford Hill Korman |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jul 18, 2016 |
10.1558/jazz.v10i1-2.28347
|
Popular Music
|
|
|
‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene
|
Myrtille Picaud |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jul 18, 2016 |
10.1558/jazz.v10i1-2.28344
|
Popular Music
|
|
|
Tom Pickering: Jazz on the periphery of the periphery
|
Matthew Joshua Boden |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jul 18, 2016 |
10.1558/jazz.v10i1-2.29128
|
Popular Music
|
|
|
Towards a history of jazz in Greece in the interwar era
|
Panagiota Anagnostou |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jul 18, 2016 |
10.1558/jazz.v10i1-2.28405
|
Popular Music
|
|
|
Cooling down jazz: Making authentic Swedish jazz possible
|
Mischa van Kan |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jul 18, 2016 |
10.1558/jazz.v10i1-2.27179
|
Popular Music
|
|
|
Historical overview of the development of jazz in Portugal, in the first half of the twentieth century
|
Pedro Cravinho |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Jun 27, 2016 |
10.1558/jazz.v10i1-2.30175
|
Popular Music
|
|
|
Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies
|
Richard Ekins |
Jazz Research Journal |
Vol 9 No. 2 (2015)
|
Mar 29, 2016 |
10.1558/jazz.v9i2.18533
|
Popular Music
|
|
|
Jazz in Brazil: An Early History (1920s-1950s)
|
Anaïs Fléchet |
Jazz Research Journal |
Vol 10 No. 1-2 (2016)
|
Dec 8, 2015 |
10.1558/jazz.v10i1-2.28748
|
Popular Music
|
|
|
Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980
|
Loes Rusch |
Jazz Research Journal |
Vol 9 No. 1 (2015)
|
Sep 23, 2015 |
10.1558/jazz.v9i1.28462
|
Popular Music
|
|
|
The jazz storyteller: Improvisers’ perspectives on music and narrative
|
Sven Bjerstedt |
Jazz Research Journal |
Vol 9 No. 1 (2015)
|
Jul 28, 2015 |
10.1558/jazz.v9i1.21502
|
Popular Music
|
|
|
Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization
|
Richard Ekins |
Jazz Research Journal |
Vol 9 No. 1 (2015)
|
Jul 28, 2015 |
10.1558/jazz.v9i1.21250
|
Popular Music
|
|
|
Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format
|
Jane Galbraith |
Jazz Research Journal |
Vol 8 No. 1-2 (2014)
|
Apr 20, 2015 |
10.1558/jazz.v8i1-2.26902
|
Popular Music
|
|
|
Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman
|
Sandy Evans |
Jazz Research Journal |
Vol 8 No. 1-2 (2014)
|
Apr 20, 2015 |
10.1558/jazz.v8i1-2.26757
|
Popular Music
|
|
|
Lydia in Oz: The reception of George Russell in 1960s Australia
|
Pierre-Emmanuel Seguin |
Jazz Research Journal |
Vol 8 No. 1-2 (2014)
|
Apr 20, 2015 |
10.1558/jazz.v8i1-2.26831
|
Popular Music
|
|
|
‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer
|
Karl Neuenfeldt |
Jazz Research Journal |
Vol 8 No. 1-2 (2014)
|
Apr 20, 2015 |
10.1558/jazz.v8i1-2.26773
|
Popular Music
|
|