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Found 30 matching results

Title Author Journal Issue Published ISBN / DOI Subjects Series
Roger Hickman. Reel Music: Exploring 100 Years of Film Music Lora Matthews Journal of Film Music Vol 2 No. 1 (2007) Jun 15, 2009 10.1558/jfm.v2i1.96 Popular Music
“Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey Paul A. Merkley, FRSC Journal of Film Music Vol 2 No. 1 (2007) Jun 1, 2009 10.1558/jfm.v2i1.1 Popular Music
Mingus, Cassavetes, and the Birth of a Jazz Cinema Ross Lipman Journal of Film Music Vol 2 No. 2-4 (2009) Mar 13, 2010 10.1558/jfm.v2i2-4.145 Popular Music
Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood Helen Mitchell Journal of Film Music Vol 2 No. 2-4 (2009) Mar 13, 2010 10.1558/jfm.v2i2-4.175 Popular Music
Music in Films: A Critical Review of Literature, 1980-1996 Robynn J. Stilwell Journal of Film Music Vol 1 No. 1 (2002) May 30, 2009 10.1558/jfm.v1i1.19 Popular Music
Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity William H. Rosar Journal of Film Music Vol 2 No. 2-4 (2009) Mar 13, 2010 10.1558/jfm.v2i2-4.99 Popular Music
Whose Classical Music? Reflections on Film Adaptation Lawrence Kramer Journal of Film Music Vol 2 No. 1 (2007) Jun 1, 2009 10.1558/jfm.v2i1.35 Popular Music
Music Theory Through the Lens of Film Frank Lehman Journal of Film Music Vol 5 No. 1-2 (2012) Apr 29, 2013 10.1558/jfm.v5i1-2.179 Popular Music
“He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) Anthony Bushard Journal of Film Music Vol 2 No. 1 (2007) Jun 1, 2009 10.1558/jfm.v2i1.43 Popular Music
Modal Interchange and Semantic Resonance in Themes by John Williams Tom Schneller Journal of Film Music Vol 6 No. 1 (2013) Nov 27, 2014 10.1558/jfm.v6i1.49 Popular Music
Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu Timothy Koozin Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jul 20, 2010 10.1558/jfm.v3i1.5 Popular Music
“I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey Julia Heimerdinger Journal of Film Music Vol 3 No. 2 (2010) Apr 22, 2011 10.1558/jfm.v3i2.127 Popular Music
The Manchurian Candidate (1962): An Interview with David Amram William H. Rosar Journal of Film Music Vol 2 No. 1 (2007) Jun 1, 2009 10.1558/jfm.v2i1.63 Popular Music
"'Leitmotif': On the Application of a Word to Film Music" Stephen C. Meyer Journal of Film Music Vol 5 No. 1-2 (2012) Apr 29, 2013 10.1558/jfm.v5i1-2.101 Popular Music
Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form Janina Müller, Tobias Plebuch Journal of Film Music Vol 6 No. 1 (2013) Nov 27, 2014 10.1558/jfm.v6i1.31 Popular Music
Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf Alexis Luko Journal of Film Music Vol 6 No. 1 (2013) Nov 27, 2014 10.1558/jfm.v6i1.5 Popular Music
“‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” Kate McQuiston Journal of Film Music Vol 3 No. 2 (2010) Apr 22, 2011 10.1558/jfm.v3i2.145 Popular Music
Film Music---What's in a Name? William H. Rosar Journal of Film Music Vol 1 No. 1 (2002) May 30, 2009 10.1558/jfm.v1i1.1 Popular Music
Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History Peter Moormann Journal of Film Music Vol 5 No. 1-2 (2012) Apr 29, 2013 10.1558/jfm.v5i1-2.165 Popular Music
Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still E. Todd Flegel Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies May 31, 2009 10.1558/jfm.v1i2/3.185 Popular Music
Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) William H. Rosar Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Jun 1, 2009 10.1558/jfm.v1i4.395 Popular Music
Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. Leith Stevens † Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift May 31, 2009 10.1558/jfm.v1i4.341 Popular Music
David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 Tom Schneller Journal of Film Music Vol 2 No. 1 (2007) Jun 1, 2009 10.1558/jfm.v2i1.75 Popular Music
Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) Timothy Koozin Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jul 20, 2010 10.1558/jfm.v3i1.65 Popular Music
Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film Erin Michelle Brooks Journal of Film Music Vol 5 No. 1-2 (2012) Apr 29, 2013 10.1558/jfm.v5i1-2.57 Popular Music
Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading David Neumeyer Journal of Film Music Vol 1 No. 1 (2002) May 30, 2009 10.1558/jfm.v1i1.79 Popular Music
Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager Charles Leinberger Journal of Film Music Vol 1 No. 1 (2002) May 30, 2009 10.1558/jfm.v1i1.63 Popular Music
Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo David Cooper Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies May 31, 2009 10.1558/jfm.v1i2/3.239 Popular Music
A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" David Cooper, Ian Sapiro Journal of Film Music Vol 3 No. 2 (2010) Apr 22, 2011 10.1558/jfm.v3i2.155 Popular Music
Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television Mark Brill Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift May 31, 2009 10.1558/jfm.v1i4.301 Popular Music