| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX
|
Pil Ho Kim, Wonseok Lee |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42673
|
|
|
|
A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers
|
Iljung Kim |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42675
|
|
|
|
Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju
|
Amos Farooqi |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42674
|
|
|
|
Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse
|
Jae-hyun Im |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42672
|
|
|
|
Rhyming Techniques and Identity in Korean Hip Hop
|
Jinny Park |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42671
|
|
|
|
Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea
|
Robert Hamilton |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42670
|
|
|
|
The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory
|
Mariana Barreto |
Journal of World Popular Music |
Vol 7 No. 1 (2020)
|
Jul 6, 2020 |
10.1558/jwpm.36384
|
|
|
|
“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality
|
Brent Keogh, Ian Collinson |
Journal of World Popular Music |
Vol 7 No. 1 (2020)
|
Jun 17, 2020 |
10.1558/jwpm.37489
|
|
|
|
From Here, There and Everywhere: Recording Popular Music in the “Field”
|
Brent Keogh |
Journal of World Popular Music |
Vol 7 No. 1 (2020)
|
Apr 16, 2020 |
10.1558/jwpm.37430
|
|
|
|
Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão)
|
Colin Harte |
Journal of World Popular Music |
Vol 7 No. 1 (2020)
|
Mar 4, 2020 |
10.1558/jwpm.35250
|
|
|
|
Keynote: Party Music, Affect and the Politics of Modernity
|
Jocelyne Guilbault |
Journal of World Popular Music |
Vol 6 No. 2 (2019)
|
Nov 26, 2019 |
10.1558/jwpm.40172
|
|
|
|
From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea
|
Oli Wilson |
Journal of World Popular Music |
Vol 6 No. 2 (2019)
|
Nov 7, 2019 |
10.1558/jwpm.36114
|
|
|
|
Lyrical Referencing in Australian Hip Hop
|
James Lewandowski-Cox |
Journal of World Popular Music |
Vol 6 No. 2 (2019)
|
Nov 7, 2019 |
10.1558/jwpm.26641
|
|
|
|
Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians
|
Ioannis Tsioulakis |
Journal of World Popular Music |
Vol 6 No. 1 (2019)
|
Apr 30, 2019 |
10.1558/jwpm.38564
|
|
|
|
From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local
|
Wonderful Godwin Bere |
Journal of World Popular Music |
Vol 6 No. 1 (2019)
|
Mar 17, 2019 |
10.1558/jwpm.28024
|
|
|
|
Sounding Dublin: Mapping Popular Music Experience in the City
|
John O'Flynn, Áine Mangaoang |
Journal of World Popular Music |
Vol 6 No. 1 (2019)
|
Mar 17, 2019 |
10.1558/jwpm.34372
|
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|
Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics
|
Samuel Horlor |
Journal of World Popular Music |
Vol 6 No. 1 (2019)
|
Mar 17, 2019 |
10.1558/jwpm.34195
|
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|
Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project
|
Kristine Ringsager |
Journal of World Popular Music |
Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics
|
Dec 18, 2018 |
10.1558/jwpm.37845
|
|
|
|
Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop
|
Mark V. Campbell, Maya Stitski |
Journal of World Popular Music |
Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics
|
Dec 18, 2018 |
10.1558/jwpm.37844
|
|
|
|
MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics
|
Saesha Senger |
Journal of World Popular Music |
Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics
|
Dec 18, 2018 |
10.1558/jwpm.37843
|
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