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Found 30 matching results

Title Author Journal Issue Published ISBN / DOI Subjects Series
‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies Chris McDonald Popular Music History Vol 1 No. 2 (2004) Jun 1, 2006 10.1558/pomh.v1i2.125 Popular Music
Heavy metal as controversy and counterculture Titus Hjelm, Keith Kahn-Harris, Mark Levine Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Feb 17, 2012 10.1558/pomh.v6i1/2.5 Popular Music
World Music and the global music industry Dave Laing Popular Music History Vol 3 No. 3 (2008) Sep 5, 2009 10.1558/pomh.v3i3.213 Popular Music
The forgotten decade: rethinking the popular music of the 1970s Andy Bennett Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.5 Popular Music
Constructing histories through material culture: Popular Music, Museums and Collecting Marion Leonard Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.147 Popular Music
It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music Pete Dale Popular Music History Vol 3 No. 2 (2008) Jul 17, 2009 10.1558/pomh.v3i2.171 Popular Music
Popular music history on screen: the pop/rock biopic Ian Inglis Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.77 Popular Music
A Question of Standards: "My Funny Valentine" and Musical Intertextuality Alan Stanbridge Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.83 Popular Music
A mysterious music in the air: cultural origins of the loudspeaker Kyle Devine Popular Music History Vol 8 No. 1 (2013) Feb 7, 2014 10.1558/pomh.v8i1.5 Popular Music
Extreme music for extreme people? Norwegian black metal and transcendent violence Michelle Phillipov Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Feb 17, 2012 10.1558/pomh.v6i1.150 Popular Music
Historiography and Complexities: Why is music ‘National’? Hans Weisethaunet Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.169 Popular Music
Globalization and commercialization of Caribbean music Mike Alleyne Popular Music History Vol 3 No. 3 (2008) Sep 5, 2009 10.1558/pomh.v3i3.247 Popular Music
Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis Richard Ekins Popular Music History Vol 7 No. 1 (2012) Feb 5, 2013 10.1558/pomh.v7i1.24 Popular Music
Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society Marcus Collins Popular Music History Vol 7 No. 1 (2012) Feb 5, 2013 10.1558/pomh.v7i1.5 Popular Music
"Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s Toru Mitsui Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.65 Popular Music
King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae Christopher Partridge Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Sep 26, 2008 10.1558/pomh.v2i3.309 Popular Music
Popular Music and Historiography Charles Hamm Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.1.1.9.56027 Popular Music
Editor's Introduction Robert Strachan Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.5 Popular Music
Afraid of Technology?: Major label response to advancements in digital technology Aaron Robert Furgason Popular Music History Vol 3 No. 2 (2008) Jul 17, 2009 10.1558/pomh.v3i2.149 Popular Music
Writing jazz biography: race, research and narrative representation Tom Perchard Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.119 Popular Music
‘I is somebody else’: Bob Dylan/Arthur Rimbaud Kat Peddie Popular Music History Vol 8 No. 2 (2013) May 20, 2014 10.1558/pomh.v8i2.169 Popular Music
Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not Andy R. Brown Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Feb 17, 2012 10.1558/pomh.v6i1.19 Popular Music
Allusion and Influence in Elvis Costello Dai Griffiths Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.201 Popular Music
Multiple damnations: deconstructing the critical response to boy band phenomena Mark Duffett Popular Music History Vol 7 No. 2 (2012) Oct 18, 2013 10.1558/pomh.v7i2.185 Popular Music
History beings yesterday Paul Oliver Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.15 Popular Music
Gordon Stretton: a study in multiple identities Jeff Daniels, Howard Rye Popular Music History Vol 4 No. 1 (2009) Apr 7, 2010 10.1558/pomh.v4i1.77 Popular Music
BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 David Simonelli Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.95 Popular Music
The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett Dale Carter Popular Music History Vol 4 No. 1 (2009) Apr 7, 2010 10.1558/pomh.v4i1.57 Popular Music
Bob Dylan: the politics of influence Gary Browning Popular Music History Vol 8 No. 2 (2013) May 20, 2014 10.1558/pomh.v8i2.222 Popular Music
Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann Jonathan Waxman Popular Music History Vol 5 No. 1 (2010) Jun 22, 2011 10.1558/pomh.v5i1.21 Popular Music