| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Heavy metal as controversy and counterculture
|
Titus Hjelm, Keith Kahn-Harris, Mark Levine |
Popular Music History |
Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011)
|
Feb 17, 2012 |
10.1558/pomh.v6i1/2.5
|
Popular Music
|
|
|
World Music and the global music industry
|
Dave Laing |
Popular Music History |
Vol 3 No. 3 (2008)
|
Sep 5, 2009 |
10.1558/pomh.v3i3.213
|
Popular Music
|
|
|
‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies
|
Chris McDonald |
Popular Music History |
Vol 1 No. 2 (2004)
|
Jun 1, 2006 |
10.1558/pomh.v1i2.125
|
Popular Music
|
|
|
The forgotten decade: rethinking the popular music of the 1970s
|
Andy Bennett |
Popular Music History |
Vol 2 No. 1 (2007) April 2007
|
Apr 1, 2007 |
10.1558/pomh.v2i1.5
|
Popular Music
|
|
|
Popular music history on screen: the pop/rock biopic
|
Ian Inglis |
Popular Music History |
Vol 2 No. 1 (2007) April 2007
|
Apr 1, 2007 |
10.1558/pomh.v2i1.77
|
Popular Music
|
|
|
It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music
|
Pete Dale |
Popular Music History |
Vol 3 No. 2 (2008)
|
Jul 17, 2009 |
10.1558/pomh.v3i2.171
|
Popular Music
|
|
|
Constructing histories through material culture: Popular Music, Museums and Collecting
|
Marion Leonard |
Popular Music History |
Vol 2 No. 2 (2007)
|
Nov 4, 2007 |
10.1558/pomh.v2i2.147
|
Popular Music
|
|
|
Extreme music for extreme people? Norwegian black metal and transcendent violence
|
Michelle Phillipov |
Popular Music History |
Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011)
|
Feb 17, 2012 |
10.1558/pomh.v6i1.150
|
Popular Music
|
|
|
A mysterious music in the air: cultural origins of the loudspeaker
|
Kyle Devine |
Popular Music History |
Vol 8 No. 1 (2013)
|
Feb 7, 2014 |
10.1558/pomh.v8i1.5
|
Popular Music
|
|
|
A Question of Standards: "My Funny Valentine" and Musical Intertextuality
|
Alan Stanbridge |
Popular Music History |
Vol 1 No. 1 (2004)
|
Jan 28, 2007 |
10.1558/pomh.v1i1.83
|
Popular Music
|
|
|
Globalization and commercialization of Caribbean music
|
Mike Alleyne |
Popular Music History |
Vol 3 No. 3 (2008)
|
Sep 5, 2009 |
10.1558/pomh.v3i3.247
|
Popular Music
|
|
|
Historiography and Complexities: Why is music ‘National’?
|
Hans Weisethaunet |
Popular Music History |
Vol 2 No. 2 (2007)
|
Nov 4, 2007 |
10.1558/pomh.v2i2.169
|
Popular Music
|
|
|
King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae
|
Christopher Partridge |
Popular Music History |
Vol 2 No. 3 (2007) PMH 2.3
|
Sep 26, 2008 |
10.1558/pomh.v2i3.309
|
Popular Music
|
|
|
‘I is somebody else’: Bob Dylan/Arthur Rimbaud
|
Kat Peddie |
Popular Music History |
Vol 8 No. 2 (2013)
|
May 20, 2014 |
10.1558/pomh.v8i2.169
|
Popular Music
|
|
|
Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis
|
Richard Ekins |
Popular Music History |
Vol 7 No. 1 (2012)
|
Feb 5, 2013 |
10.1558/pomh.v7i1.24
|
Popular Music
|
|
|
Multiple damnations: deconstructing the critical response to boy band phenomena
|
Mark Duffett |
Popular Music History |
Vol 7 No. 2 (2012)
|
Oct 18, 2013 |
10.1558/pomh.v7i2.185
|
Popular Music
|
|
|
Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society
|
Marcus Collins |
Popular Music History |
Vol 7 No. 1 (2012)
|
Feb 5, 2013 |
10.1558/pomh.v7i1.5
|
Popular Music
|
|
|
Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not
|
Andy R. Brown |
Popular Music History |
Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011)
|
Feb 17, 2012 |
10.1558/pomh.v6i1.19
|
Popular Music
|
|
|
Popular Music and Historiography
|
Charles Hamm |
Popular Music History |
Vol 1 No. 1 (2004)
|
Jan 28, 2007 |
10.1558/pomh.1.1.9.56027
|
Popular Music
|
|
|
"Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s
|
Toru Mitsui |
Popular Music History |
Vol 1 No. 1 (2004)
|
Jan 28, 2007 |
10.1558/pomh.v1i1.65
|
Popular Music
|
|
|
Writing jazz biography: race, research and narrative representation
|
Tom Perchard |
Popular Music History |
Vol 2 No. 2 (2007)
|
Nov 4, 2007 |
10.1558/pomh.v2i2.119
|
Popular Music
|
|
|
Afraid of Technology?: Major label response to advancements in digital technology
|
Aaron Robert Furgason |
Popular Music History |
Vol 3 No. 2 (2008)
|
Jul 17, 2009 |
10.1558/pomh.v3i2.149
|
Popular Music
|
|
|
Allusion and Influence in Elvis Costello
|
Dai Griffiths |
Popular Music History |
Vol 2 No. 2 (2007)
|
Nov 4, 2007 |
10.1558/pomh.v2i2.201
|
Popular Music
|
|
|
Bob Dylan: the politics of influence
|
Gary Browning |
Popular Music History |
Vol 8 No. 2 (2013)
|
May 20, 2014 |
10.1558/pomh.v8i2.222
|
Popular Music
|
|
|
Editor's Introduction
|
Robert Strachan |
Popular Music History |
Vol 1 No. 1 (2004)
|
Jan 28, 2007 |
10.1558/pomh.v1i1.5
|
Popular Music
|
|
|
The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett
|
Dale Carter |
Popular Music History |
Vol 4 No. 1 (2009)
|
Apr 7, 2010 |
10.1558/pomh.v4i1.57
|
Popular Music
|
|
|
Gordon Stretton: a study in multiple identities
|
Jeff Daniels, Howard Rye |
Popular Music History |
Vol 4 No. 1 (2009)
|
Apr 7, 2010 |
10.1558/pomh.v4i1.77
|
Popular Music
|
|
|
BBC rock music programming on radio and television and the progressive rock audience, 1967–1973
|
David Simonelli |
Popular Music History |
Vol 2 No. 1 (2007) April 2007
|
Apr 1, 2007 |
10.1558/pomh.v2i1.95
|
Popular Music
|
|
|
Voice of our blood: National Socialist discourses in black metal
|
Benjamin Hedge Olson |
Popular Music History |
Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011)
|
Feb 17, 2012 |
10.1558/pomh.v6i1/2.135
|
Popular Music
|
|
|
Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France
|
Gérôme Guibert, Jedediah Sklower |
Popular Music History |
Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011)
|
Feb 17, 2012 |
10.1558/pomh.v6i1/2.100
|
Popular Music
|
|