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Found 30 matching results

Title Author Journal Issue Published ISBN / DOI Subjects Series
‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies Chris McDonald Popular Music History Vol 1 No. 2 (2004) Jun 1, 2006 10.1558/pomh.v1i2.125 Popular Music
Heavy metal as controversy and counterculture Titus Hjelm, Keith Kahn-Harris, Mark Levine Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Feb 17, 2012 10.1558/pomh.v6i1/2.5 Popular Music
The forgotten decade: rethinking the popular music of the 1970s Andy Bennett Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.5 Popular Music
Constructing histories through material culture: Popular Music, Museums and Collecting Marion Leonard Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.147 Popular Music
It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music Pete Dale Popular Music History Vol 3 No. 2 (2008) Jul 17, 2009 10.1558/pomh.v3i2.171 Popular Music
Popular music history on screen: the pop/rock biopic Ian Inglis Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.77 Popular Music
World Music and the global music industry Dave Laing Popular Music History Vol 3 No. 3 (2008) Sep 5, 2009 10.1558/pomh.v3i3.213 Popular Music
A Question of Standards: "My Funny Valentine" and Musical Intertextuality Alan Stanbridge Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.83 Popular Music
A mysterious music in the air: cultural origins of the loudspeaker Kyle Devine Popular Music History Vol 8 No. 1 (2013) Feb 7, 2014 10.1558/pomh.v8i1.5 Popular Music
Historiography and Complexities: Why is music ‘National’? Hans Weisethaunet Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.169 Popular Music
Globalization and commercialization of Caribbean music Mike Alleyne Popular Music History Vol 3 No. 3 (2008) Sep 5, 2009 10.1558/pomh.v3i3.247 Popular Music
Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis Richard Ekins Popular Music History Vol 7 No. 1 (2012) Feb 5, 2013 10.1558/pomh.v7i1.24 Popular Music
Extreme music for extreme people? Norwegian black metal and transcendent violence Michelle Phillipov Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Feb 17, 2012 10.1558/pomh.v6i1.150 Popular Music
"Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s Toru Mitsui Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.65 Popular Music
Editor's Introduction Robert Strachan Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.5 Popular Music
Popular Music and Historiography Charles Hamm Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.1.1.9.56027 Popular Music
Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society Marcus Collins Popular Music History Vol 7 No. 1 (2012) Feb 5, 2013 10.1558/pomh.v7i1.5 Popular Music
King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae Christopher Partridge Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Sep 26, 2008 10.1558/pomh.v2i3.309 Popular Music
Afraid of Technology?: Major label response to advancements in digital technology Aaron Robert Furgason Popular Music History Vol 3 No. 2 (2008) Jul 17, 2009 10.1558/pomh.v3i2.149 Popular Music
Writing jazz biography: race, research and narrative representation Tom Perchard Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.119 Popular Music
Allusion and Influence in Elvis Costello Dai Griffiths Popular Music History Vol 2 No. 2 (2007) Nov 4, 2007 10.1558/pomh.v2i2.201 Popular Music
History beings yesterday Paul Oliver Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.15 Popular Music
Multiple damnations: deconstructing the critical response to boy band phenomena Mark Duffett Popular Music History Vol 7 No. 2 (2012) Oct 18, 2013 10.1558/pomh.v7i2.185 Popular Music
BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 David Simonelli Popular Music History Vol 2 No. 1 (2007) April 2007 Apr 1, 2007 10.1558/pomh.v2i1.95 Popular Music
‘I is somebody else’: Bob Dylan/Arthur Rimbaud Kat Peddie Popular Music History Vol 8 No. 2 (2013) May 20, 2014 10.1558/pomh.v8i2.169 Popular Music
Gordon Stretton: a study in multiple identities Jeff Daniels, Howard Rye Popular Music History Vol 4 No. 1 (2009) Apr 7, 2010 10.1558/pomh.v4i1.77 Popular Music
Resource Notes Andy Linehan Popular Music History Vol 1 No. 2 (2004) Jun 1, 2006 10.1558/pomh.v1i2.213 Popular Music
The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett Dale Carter Popular Music History Vol 4 No. 1 (2009) Apr 7, 2010 10.1558/pomh.v4i1.57 Popular Music
Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann Jonathan Waxman Popular Music History Vol 5 No. 1 (2010) Jun 22, 2011 10.1558/pomh.v5i1.21 Popular Music
Archiving Ugandan Popular Music Joel Isabirye Popular Music History Vol 1 No. 1 (2004) Jan 28, 2007 10.1558/pomh.v1i1.109 Popular Music