| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Accuracy and confidence in estimation of speaker age
|
Sara Maria Birgitta Skoog Waller |
International Journal of Speech Language and the Law |
(0) ADVANCE ACCESS TO FORTHCOMING ARTICLES
|
Jan 15, 2021 |
10.1558/ijsll.39700
|
Linguistics
|
|
|
Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX
|
Pil Ho Kim, Wonseok Lee |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42673
|
|
|
|
A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers
|
Iljung Kim |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42675
|
|
|
|
Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju
|
Amos Farooqi |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42674
|
|
|
|
Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse
|
Jae-hyun Im |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42672
|
|
|
|
Rhyming Techniques and Identity in Korean Hip Hop
|
Jinny Park |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42671
|
|
|
|
Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea
|
Robert Hamilton |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42670
|
|
|
|
Towards the elaboration of a diastratic model in historical analyses of koineization
|
Joshua Brown |
Sociolinguistic Studies |
Vol 14 No. 4 (2020)
|
Dec 21, 2020 |
10.1558/sols.39590
|
Gender Studies
Linguistics
|
|
|
Trilling as a sociolinguistic variable: Ethnicity and variation in the Hebrew dorsal fricatives
|
Roey J. Gafter |
Sociolinguistic Studies |
Vol 14 No. 4 (2020)
|
Dec 21, 2020 |
10.1558/sols.39210
|
Gender Studies
Linguistics
|
|
|
The language policy of trilingual transnational families living between Antioch, Paris and Berlin
|
Suat Istanbullu |
Sociolinguistic Studies |
Vol 14 No. 4 (2020)
|
Dec 21, 2020 |
10.1558/sols.39512
|
Gender Studies
Linguistics
|
|
|
Call center agents’ skills: Invisible, illegible, and misunderstood
|
Johanna Tovar |
Sociolinguistic Studies |
Vol 14 No. 4 (2020)
|
Dec 21, 2020 |
10.1558/sols.39555
|
Gender Studies
Linguistics
|
|
|
(Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums
|
José Vicente Neglia |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39631
|
Popular Music
|
|
|
Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture
|
Jada Watson |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39428
|
Popular Music
|
|
|
Ektoplazm.com: Psychedelic trance, internet curation and free music distribution
|
Christopher David Charles |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39424
|
Popular Music
|
|
|
Right time, right place: The British Library’s Punk 1976–78 exhibition
|
J. Mark Percival |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39677
|
Popular Music
|
|
|
Pick out the jams: Curation and independent record shops
|
Lee Ann Fullington |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39663
|
Popular Music
|
|
|
Supplementing a typology of curation: Learning from George Harrison and Indian music
|
Michael Lewis Jones |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.42219
|
Popular Music
|
|
|
Negotiating the co-curation of an online community popular music archive
|
Beate Peter |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39666
|
Popular Music
|
|
|
Continuity and change in popular music curation: Exhibiting the musical past in Liverpool
|
Sara Cohen |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.40022
|
Popular Music
|
|
|
Scene and heard: Collecting the Dunedin Sound
|
Amanda Patricia Mills |
Popular Music History |
Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation
|
Dec 3, 2020 |
10.1558/pomh.39400
|
Popular Music
|
|