The History of European Jazz
In the course of almost a century, European jazz musicians not only produced a corpus of work worthy of much wider appreciation, but also adopted strategies to adapt to the varied reception that the music evoked, which ranged from joyful acceptance to outright prohibition, the latter often involving survival and protest in equal measure. As the first organic overview of the history of jazz in Europe, and covering the subject from its inception to the present day, this volume provides a unique, authoritative addition to the musicological literature.
Entries are written in a narrative style and are presented on a country-by-country basis. Each article is authored by a jazz history specialist from the specific country who contextualizes the music in the cultural landscape of that country, discussing the most influential figures of its development, and referencing the sometimes considerable literature available in the national language. This unprecedented pool of authors makes much of this information available in English for the first time. Further chapters cover related subjects: the history of African-American entertainers before jazz, the cross-national traditions of Gypsy and Jewish music, festivals, films, and avant-garde music. The book also draws on the newly available resources created by the extensive work being done nationally by various jazz archives. Chapters contain in-depth bibliographies, rare photographs and illustrations, and suggested listening lists.
Supported by the Europe Jazz Network with funding from the Creative Europe programme of the European Union, this volume will serve as an inspiration for new generations of listeners and musicians.
Published: Sep 4, 2018
The History of European Jazz is a monumental work of international scholarship, which has been part-funded by the EU. The large format, two-column layout means that each page is twice the size you would find in a conventional book. There are 742 pages, with 45 contributors from across the continent.
The importance of this book [is that it is] published in just one language – English. At last, we have a single publication that brings together a vast collection of knowledge and ideas and traditions, many of which have never travelled beyond certain national boundaries. Each chapter not only narrates the development of jazz in each country but includes a separate bibliography and listening guide.
To call The History of European Jazz fascinating is something of an understatement. Every chapter is full of extraordinary information.
Peter Jones, Jazz in Europe