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Book: The Singing Voice in Contemporary Cinema

Chapter: From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru

DOI: 10.1558/equinox.35470

Blurb:

The role of animated vocality is explored through analyses of Pharell Williams’ songs as featured in Despicable Me films. Williams’ singer-songwriter vocality – cumulative and identifying factors - atypically encompasses sound production, songwriting, and singing. Such vocality is identified within a purposefully developed framework that informs the development of animated characterisation.

Chapter Contributors

  • Veronica Stewart (veronica@sydneyvoicestudio.com.au - vmonro) 'Sydney Voice Studio and Macquarie University'
  • Diane Hughes (diane.hughes@mq.edu.au - dianehughes) 'Macquarie University'