| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction |
Denis Crowdy, Mark Evans |
Jun 4, 2013 |
| Articles
|
|
Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) |
Jon Fitzgerald, Philip Hayward, David Brennan |
Jun 4, 2013 |
|
Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music |
Qian Wang |
Jun 4, 2013 |
|
Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music |
Qian Wang |
Sep 23, 2013 |
|
Electronic dance music, the rock myth, and authenticity |
John Gunders |
Jun 4, 2013 |
|
Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians |
Barry Hill, Jon Fitzgerald |
Jun 4, 2013 |
| Reviews
|
|
Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. |
Don Conway-Long |
Jun 4, 2013 |
|
Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. |
Robert W. Fry |
Jun 4, 2013 |
|
Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. |
Ross Hagen |
Jun 4, 2013 |
|
Marvin D. Sterling. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. Durham and London: Duke University Press. ISBN 978-0-8223-4722-4 (pbk). 299pp. |
James R. Edwards |
Jun 4, 2013 |