| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction |
Mark Evans, Denis Crowdy |
Mar 6, 2015 |
| Articles
|
|
German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? |
Andrew Wright Hurley |
Mar 6, 2015 |
|
The iTunization of pop: Mobile music and youth social networks |
Anthony Y.H. Fung |
Mar 6, 2015 |
|
Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs |
Julie Rickwood |
Mar 6, 2015 |
|
Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air |
Jennifer Cattermole |
Mar 3, 2015 |
| Reviews
|
|
Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. |
Nick Braae |
Mar 6, 2015 |
|
Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. |
Julie Rickwood |
Mar 6, 2015 |
|
Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. |
James Cox |
Mar 6, 2015 |
|
Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham NC: Duke University Press. ISBN 978-0-8223-5392-8 (pbk). 292 pp. |
Rosemary Overell |
Mar 5, 2015 |