Abstract:

This review article critiques the Horniman Museum's temporary exhibition, "Mummers, Maypoles and Milkmaids: A Journey through the English Ritual Year" (22 October 2011 to 09 September 2012), which contained fifty photographs by Sara Hannant documenting English folk festivals in the early twenty-first century. In particular this review focuses on the portrayal of contemporary Paganism within the exhibit.

Author: Ethan Doyle White