Coalson, Josh. 2014. About the FLAC format. FLAC: Free Lossless Audio Codec. Accessed January 6, 2016. https://xiph.org/flac/documentation_format_overview.html
Cooper, David, Ian Sapiro, and Laura Anderson. Forthcoming 2017. The screen music of Trevor Jones: Technology, process, production. Farnham: Ashgate.
Gibson, Gerald G. 1996. Magnetic tape deterioration: Recognition, recovery, and prevention. UNESCO. Accessed November 6, 2015. http://www.unesco.org/webworld/ramp/html/r9704e/r9704e11.htm (Originally presented at the IASA Conference, Perugia, August 26, 1996.)
JISC. 2015. Digital file formats. JISC Digital Media. Accessed December 14, 2015. http://www.jiscdigitalmedia.ac.uk/infokit/file_formats/digital-file-formats
JISC Collections and Janet Limited. n.d. How it works. The UK Access Management Federation for Education and Research. Accessed January 6, 2016. http://www.ukfederation.org.uk/content/Documents/HowItWorks
Koseluk, William. 2004. Digital preservation of archival material. In A handbook to twentieth-century musical sketches, ed. Patricia Hall and Friedemann Sallis, 74-84. Cambridge: Cambridge University Press.
Plichta, Bartek and Mark Kornbluh. 2002. Digitizing speech recordings for archival purposes. Historical voices. Accessed December 14, 2015. http://www.historicalvoices.org/papers/audio_digitization.pdf
Schaller, Erika. 2004. The classification of musical sketches exemplified in the catalogue of the Archivio Luigi Nono. In A handbook to twentieth-century musical sketches, ed. Patricia Hall and Friedemann Sallis, 59-73. Cambridge: Cambridge University Press.
Shiboleth. n.d. How Shiboleth works: Basic concepts, Shiboleth. Accessed January 6, 2016. https://shibboleth.net/about/basic.html
University of Leeds. 2016. The Trevor Jones Archive. Screen Music. [no access date—various]. http://www.screenmusic.leeds.ac.uk
Winters, Ben and Miguel Mera. 2009. Film and television music sources in the UK and Ireland. Brio 46, no. 2, 37-65.