Adelt, Ulrich (2010) Blues Music in the Sixties: A Story in Black and White. New Brunswick, NJ: Rutgers University Press.
Bakhtin, Mikhail (1981) The Dialogic Imagination. Austin, TX: University of Texas Press.
Brennan, Matt (2017) When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. London: Bloomsbury Academic. https://doi.org/10.5040/9781501319051
Burke, Peter (2009) Cultural Hybridity. Cambridge: Polity Press.
Del Solo, Ramón (2013) ‘Taj Mahal: la primera visita a España’. Blues Vibe, 12 November. https://bluesvibe.com/2013/11/12/taj-mahal-la-primera-visita-a-espana/
Destino (1958) ‘[Sister Rosetta Tharpe]’. Destino, no. 1072: 37.
Frías, María (2004) ‘Nights of Flamenco and Blues in Spain: From Sorrow Songs to Soleá and Back’. In Blackening Europe: The African American Presence, ed. Heike Raphael-Hernandez, 141–55. New York: Routledge.
García Canclini, Néstor (2009) Culturas híbridas. Estrategias para entrar y salir de la modernidad. México: Random House Mondadori.
García-Purriños, Rafa (2009) ‘A pesar de todo—Hilario Camacho. Crítica’. La Fonoteca, 13 December. http://lafonoteca.net/discos/a-pesar-de-todo
García-Soler, Jordi (1999) ‘Joan Rosselló, el padre [HH] del Jamboree’. El País, 7 April. http://elpais.com/diario/1999/04/07/catalunya/923447243_850215.html
Iglesias, Iván (2013) ‘Swinging Modernity: Jazz and Politics in Franco’s Spain (1939–1968)’. In Made in Spain: Studies in Popular Music, ed. Silvia Martínez and Héctor Fouce, 101–112. New York: Routledge.
Jurado, Miquel (2005) Tete: Casi autobiografía. Madrid: Fundación autor.
——(2008) ‘Un antes y un después para el jazz’. El País, 19 October. http://elpais.com/diario/2008/10/19/catalunya/1224378450_850215.html
Kellett, Andrew (2017) The British Blues Network: Adoption, Emulation, and Creativity. Ann Arbor, MI: University of Michigan Press.
López Poy, Manuel (2018) Todo Blues. Lo esencial de la música blues desde sus orígenes a la actualidad. Barcelona: Ma Non Troppo.
Mallofré, Alberto (1965) ‘El “American Folk Blues Festival” en el Palacio de la Música’. La Vanguardia, 2 November: 53.
Martínez, Silvia, and Héctor Fouce (2013) Made in Spain: Studies in Popular Music. New York: Routledge. https://doi.org/10.4324/9780203127032
Mestre, Bartomeu (2010) Balada d’en Guillem d’Efak. Palma: Edicions Documenta Balear.
Mora, Kiko, and Eduardo Viñuela, eds (2013) Rock Around Spain: Historia, industria, escenas y medios de comunicación. Lleida: Universitat de Lleida.
Papo, Alfredo (1985) ‘[Big Bill Broonzy]’. Solo Blues 2: 18–19.
Pedro, Josep (2014) ‘Alternative Journalism in Madrid’s Blues Scene’. IASPM Journal 4/2: 55–70. https://doi.org/10.5429/2079-3871(2014)v4i2.5en
——(2017) ‘“The Purest Essence of Jazz”: The Appropriation of Blues in Spain during Franco’s Dictatorship’. In Jazz and Totalitarianism, ed. Bruce Johnson, 174–90. New York: Routledge.
——(2018) ‘Apropiación, diálogo e hibridación: Escenas de blues en Austin y Madrid’. Thesis dissertation, Universidad Complutense de Madrid.
Pérez Aznar, Joan (2003) ‘Blues español’. In La Gran Enciclopedia del Blues, ed. Gérard Herzhaft, 54–58. Barcelona: Ma Non Troppo.
Schwartz, Roberta F. (2007) How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate.
Tort, Raimon (1965) ‘El “American Folk Blues Festival 1965”, en el Palacio de la Música’. Destino 1474: 74.
Urban, Michael (2004) Russia Gets the Blues: Music, Culture, and Community in Unsettled Times. New York: Cornell University Press.
Wynn, Neil, ed. (2007) Cross the Water Blues: African American Music in Europe. Jackson, MI: University Press of Mississippi.
Zúmel, Vicente (2006) ‘Spain’. In Encyclopedia of the Blues, ed. Edward Komara, 914. New York: Routledge.