Auslander, Philip. 2008. Liveness: Performance in a Mediatized Culture. 2nd edn. London and New York: Routledge.
Berliner, Paul. 1994. Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press.
Bourdieu, Pierre. 1986. “The Forms of Capital”. In Handbook of Theory and Research for the Sociology of Education, edited by John G. Richardson, 46–58. New York: Greenwood Press.
Duranti, Alessandro. 2010. “Husserl, Intersubjectivity and Anthropology”. Theoretical Anthropology 10/1–2: 16–35.
Fabbri, Franco, and Ioannis Tsioulakis. 2016. “Italian canzone d’autore and Greek entechno tragoudi: A Comparative Overview”. In The Cambridge Companion to Singer-Songwriters, edited by K. Williams and J. A. Williams, 317–28. Cambridge: Cambridge University Press.
Feld, Simon. 2000. “A Sweet Lullaby for World Music”. Public Culture 12/1: 145–71.
—2000. “The Discourse of World Music”. In Western Music and Its Others: Difference, Representation, and Appropriation in Music, edited by G. Born and D. Hesmondhalgh, 305–22. Berkeley: University of California Press.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York: Doubleday Anchor.
Hall, Stuart. 1997. Representation: Cultural Representations and Signifying Practices. London: SAGE.
Hamm, Charles. 1989. “Graceland Revisited”. Popular Music 8/3: 299–304.
Holt, Fabian. 2007. Genre in Popular Music. Chicago: University of Chicago Press.
Johnson, Bruce. 2017. “In the Body of the Audience”. In Musicians and their Audiences: New Approaches to a Timeless Division, edited by I. Tsioulakis and E. Hytonen-Ng, 15–33. London: Routledge.
Keil, Charles. 1987. “Participatory Discrepancies and the Power of Music”. Cultural Anthropology 2/3: 275–83.
Middleton, Richard. 1990. Studying Popular Music. Milton Keynes: Open University Press.
Monson, Ingrid. 1996. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press.
Rice, Timothy. 2003. “The Ethnomusicology of Music Learning and Teaching”. College Music Symposium 43: 65–85.
Schechner, Richard. 2002. Performance Studies: An Introduction. London: Routledge.
Silverman, Carol. 2007. “Trafficking the Exotic ‘Gypsy’ Music: Balkan Roma, Cosmopolitanism, and ‘World Music’ Festivals”. In Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse, edited by D. A. Buchanan, 335–64. Lanham, MD: Scarecrow Press.
Stokes, Miles. 2004. “Music and the Global Order”. Annual Review of Anthropology 33: 47–72.
Stokes, W. Royal. 2002. Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz. Oxford: Oxford University Press.
—2013. “The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry”. In Musical Performance and the Changing City, edited by C. Wergin and F. Holt, 200–25. New York: Routledge.
Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.
Turner, Victor. W. 1987. The Anthropology of Performance. New York: PAJ Publications.
Varelopoulos, Dimitris. 2018. “Producing Entechno: Amalgamation and Hybridization in a Controversial Musical Style”. In Made in Greece: Studies in Popular Music, edited by Dafni Tragaki, 83–100. New York: Routledge.