References :

Dudley Andrew,The Major Film Theories, (New York: Oxford University Press, 1976) 

Dudley, Andrew, Concepts in Film Theory, (New York: Oxford University Press, 1984)

Francisco Casetti, Theories of Cinema, 1945-1999, (Austin: University of Texas Press, 1999)

Claudia Gorbman, Unheard Melodies: Narrative Film Music, (Bloomington: University of Indiana Press, 1987)

David Bordwell, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960, (New York: Columbia University Press, 1985)

Christian Metz, “Aural Objects,” trans. by Georgia Gurrieri, Yale French Studies 60 (1980): 24-32.

Gilles Deleuze, Cinema 1: The Movement-Image, trans. by Hugh Tomlinson and Barbara Habberjam, (Minneapolis: University of Minnesota Press, 1986)

Gilles Deleuze, Cinema 2: The Time-Image, trans, by Hugh Tomlinson and Robert Galeta, (Minneapolis: University of Minnesota Press, 1989).