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Found 30 matching results

Title Author Journal Issue Published ISBN / DOI Subjects Series
Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization Richard Ekins Jazz Research Journal Vol 9 No. 1 (2015) Jul 28, 2015 10.1558/jazz.v9i1.21250 Popular Music
Is jazz popular music? Simon Frith Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.7 Popular Music
Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz Elijah Wald Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.129 Popular Music
Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival Matt Brennan Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.73 Popular Music
Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies Sherrie Tucker Jazz Research Journal Vol 2 No. 1 (2005) The Source: Volume 2 (2005) Mar 1, 2005 10.1558/source.v2i1.31 Popular Music
The popularity of jazz—an unpopular problem: the significance of Swing when you'’re winning Catherine Parsonage Jazz Research Journal Vol 1 No. 1 (2004) The Source: Volume 1 (2004) Mar 1, 2004 10.1558/source.v1i1.60 Popular Music
Making music together, or improvisation and its others Nicholas Cook Jazz Research Journal Vol 1 No. 1 (2004) The Source: Volume 1 (2004) Mar 1, 2004 10.1558/jazz.v1i1.5 Popular Music
Miles from home: Miles Davis and the movies Krin Gabbard Jazz Research Journal Vol 1 No. 1 (2004) The Source: Volume 1 (2004) Mar 1, 2004 10.1558/source.v1i1.28 Popular Music
All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road Julian Levinson Jazz Research Journal Vol 6 No. 1 (2012) Feb 14, 2013 10.1558/jazz.v6i1.69 Popular Music
Burns, Baby, Burns: jazz history as a contested cultural site Alan Stanbridge Jazz Research Journal Vol 1 No. 1 (2004) The Source: Volume 1 (2004) Mar 1, 2004 10.1558/source.v1i1.82 Popular Music
No room for squares: A political economy of Blue Note records Christopher May Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.25 Popular Music
Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta Stephane Dorin Jazz Research Journal Vol 4 No. 2 (2010) Feb 15, 2012 10.1558/jazz.v4i2.123 Popular Music
Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington George Burrows Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.45 Popular Music
The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report Emma Webster, George McKay Jazz Research Journal Vol 9 No. 2 (2015) Jul 20, 2016 10.1558/jazz.v9i2.29783 Popular Music
The jazz storyteller: Improvisers’ perspectives on music and narrative Sven Bjerstedt Jazz Research Journal Vol 9 No. 1 (2015) Jul 28, 2015 10.1558/jazz.v9i1.21502 Popular Music
The Jazz Community as an Art World: A Sociological Perspective Peter J. Martin Jazz Research Journal Vol 2 No. 1 (2005) The Source: Volume 2 (2005) Mar 1, 2005 10.1558/source.v2i1.5 Popular Music
Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice Marian S. Jago Jazz Research Journal Vol 7 No. 2 (2013) Jan 21, 2015 10.1558/jazz.v7i2.20971 Popular Music
John Coltrane and the “replacement child” syndrome Bertrand Lauer Jazz Research Journal Vol 3 No. 1 (2009) Oct 8, 2009 10.1558/jazz.v3i1.105 Popular Music
John Coltrane and the integration of Indian concepts in jazz improvisation Carl Clements Jazz Research Journal Vol 2 No. 2 (2008) May 15, 2009 10.1558/jazz.v2i2.155 Popular Music
Strictly on the Record: the art of jazz and the recording industry Michael Cuscuna Jazz Research Journal Vol 2 No. 1 (2005) The Source: Volume 2 (2005) Mar 1, 2005 10.1558/source.v2i1.63 Popular Music
Core and Boundaries Scott Deveaux Jazz Research Journal Vol 2 No. 1 (2005) The Source: Volume 2 (2005) Mar 1, 2005 10.1558/source.v2i1.15 Popular Music
John Coltrane as a composer Christa Bruckner-Haring Jazz Research Journal Vol 2 No. 2 (2008) May 15, 2009 10.1558/jazz.v2i2.133 Popular Music
John Coltrane: the work and its legacy Catherine Tackley, Tony Whyton, Vincent Cotro Jazz Research Journal Vol 2 No. 2 (2008) May 15, 2009 10.1558/jazz.v2i2.105 Popular Music
Jam sessions in Manhattan as rituals Ricardo Nuno Futre Pinheiro Jazz Research Journal Vol 6 No. 2 (2012) Aug 16, 2013 10.1558/jazz.v6i2.129 Popular Music
‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland Eileen Hogan Jazz Research Journal Vol 4 No. 1 (2010) Oct 7, 2011 10.1558/jazz.v4i1.57 Popular Music
Being bop: how the press shaped the cult of bebop Thomas Turner Jazz Research Journal Vol 1 No. 2 (2007) Mar 29, 2008 10.1558/jazz.v1i2.205 Popular Music
Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop Robert G. O'Meally Jazz Research Journal Vol 1 No. 1 (2004) The Source: Volume 1 (2004) Mar 1, 2004 10.1558/source.v1i1.44 Popular Music
Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” Michael W. Morse Jazz Research Journal Vol 1 No. 2 (2007) Mar 29, 2008 10.1558/jazz.v1i2.153 Popular Music
Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films Simone Varriale Jazz Research Journal Vol 6 No. 1 (2012) Oct 12, 2012 10.1558/jazz.v6i1.27 Popular Music
When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen Morris B. Holbrook Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Mar 1, 2007 10.1558/jazz.v1i1.99 Popular Music