| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization
|
Richard Ekins |
Jazz Research Journal |
Vol 9 No. 1 (2015)
|
Jul 28, 2015 |
10.1558/jazz.v9i1.21250
|
Popular Music
|
|
|
Is jazz popular music?
|
Simon Frith |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.7
|
Popular Music
|
|
|
Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz
|
Elijah Wald |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.129
|
Popular Music
|
|
|
Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival
|
Matt Brennan |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.73
|
Popular Music
|
|
|
Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies
|
Sherrie Tucker |
Jazz Research Journal |
Vol 2 No. 1 (2005) The Source: Volume 2 (2005)
|
Mar 1, 2005 |
10.1558/source.v2i1.31
|
Popular Music
|
|
|
The popularity of jazz—an unpopular problem: the significance of Swing when you're winning
|
Catherine Parsonage |
Jazz Research Journal |
Vol 1 No. 1 (2004) The Source: Volume 1 (2004)
|
Mar 1, 2004 |
10.1558/source.v1i1.60
|
Popular Music
|
|
|
Making music together, or improvisation and its others
|
Nicholas Cook |
Jazz Research Journal |
Vol 1 No. 1 (2004) The Source: Volume 1 (2004)
|
Mar 1, 2004 |
10.1558/jazz.v1i1.5
|
Popular Music
|
|
|
Miles from home: Miles Davis and the movies
|
Krin Gabbard |
Jazz Research Journal |
Vol 1 No. 1 (2004) The Source: Volume 1 (2004)
|
Mar 1, 2004 |
10.1558/source.v1i1.28
|
Popular Music
|
|
|
All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road
|
Julian Levinson |
Jazz Research Journal |
Vol 6 No. 1 (2012)
|
Feb 14, 2013 |
10.1558/jazz.v6i1.69
|
Popular Music
|
|
|
Burns, Baby, Burns: jazz history as a contested cultural site
|
Alan Stanbridge |
Jazz Research Journal |
Vol 1 No. 1 (2004) The Source: Volume 1 (2004)
|
Mar 1, 2004 |
10.1558/source.v1i1.82
|
Popular Music
|
|
|
No room for squares: A political economy of Blue Note records
|
Christopher May |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.25
|
Popular Music
|
|
|
Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta
|
Stephane Dorin |
Jazz Research Journal |
Vol 4 No. 2 (2010)
|
Feb 15, 2012 |
10.1558/jazz.v4i2.123
|
Popular Music
|
|
|
Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington
|
George Burrows |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.45
|
Popular Music
|
|
|
The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report
|
Emma Webster, George McKay |
Jazz Research Journal |
Vol 9 No. 2 (2015)
|
Jul 20, 2016 |
10.1558/jazz.v9i2.29783
|
Popular Music
|
|
|
The jazz storyteller: Improvisers’ perspectives on music and narrative
|
Sven Bjerstedt |
Jazz Research Journal |
Vol 9 No. 1 (2015)
|
Jul 28, 2015 |
10.1558/jazz.v9i1.21502
|
Popular Music
|
|
|
The Jazz Community as an Art World: A Sociological Perspective
|
Peter J. Martin |
Jazz Research Journal |
Vol 2 No. 1 (2005) The Source: Volume 2 (2005)
|
Mar 1, 2005 |
10.1558/source.v2i1.5
|
Popular Music
|
|
|
Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice
|
Marian S. Jago |
Jazz Research Journal |
Vol 7 No. 2 (2013)
|
Jan 21, 2015 |
10.1558/jazz.v7i2.20971
|
Popular Music
|
|
|
John Coltrane and the “replacement child” syndrome
|
Bertrand Lauer |
Jazz Research Journal |
Vol 3 No. 1 (2009)
|
Oct 8, 2009 |
10.1558/jazz.v3i1.105
|
Popular Music
|
|
|
John Coltrane and the integration of Indian concepts in jazz improvisation
|
Carl Clements |
Jazz Research Journal |
Vol 2 No. 2 (2008)
|
May 15, 2009 |
10.1558/jazz.v2i2.155
|
Popular Music
|
|
|
Strictly on the Record: the art of jazz and the recording industry
|
Michael Cuscuna |
Jazz Research Journal |
Vol 2 No. 1 (2005) The Source: Volume 2 (2005)
|
Mar 1, 2005 |
10.1558/source.v2i1.63
|
Popular Music
|
|
|
Core and Boundaries
|
Scott Deveaux |
Jazz Research Journal |
Vol 2 No. 1 (2005) The Source: Volume 2 (2005)
|
Mar 1, 2005 |
10.1558/source.v2i1.15
|
Popular Music
|
|
|
John Coltrane as a composer
|
Christa Bruckner-Haring |
Jazz Research Journal |
Vol 2 No. 2 (2008)
|
May 15, 2009 |
10.1558/jazz.v2i2.133
|
Popular Music
|
|
|
John Coltrane: the work and its legacy
|
Catherine Tackley, Tony Whyton, Vincent Cotro |
Jazz Research Journal |
Vol 2 No. 2 (2008)
|
May 15, 2009 |
10.1558/jazz.v2i2.105
|
Popular Music
|
|
|
Jam sessions in Manhattan as rituals
|
Ricardo Nuno Futre Pinheiro |
Jazz Research Journal |
Vol 6 No. 2 (2012)
|
Aug 16, 2013 |
10.1558/jazz.v6i2.129
|
Popular Music
|
|
|
‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland
|
Eileen Hogan |
Jazz Research Journal |
Vol 4 No. 1 (2010)
|
Oct 7, 2011 |
10.1558/jazz.v4i1.57
|
Popular Music
|
|
|
Being bop: how the press shaped the cult of bebop
|
Thomas Turner |
Jazz Research Journal |
Vol 1 No. 2 (2007)
|
Mar 29, 2008 |
10.1558/jazz.v1i2.205
|
Popular Music
|
|
|
Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop
|
Robert G. O'Meally |
Jazz Research Journal |
Vol 1 No. 1 (2004) The Source: Volume 1 (2004)
|
Mar 1, 2004 |
10.1558/source.v1i1.44
|
Popular Music
|
|
|
Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?”
|
Michael W. Morse |
Jazz Research Journal |
Vol 1 No. 2 (2007)
|
Mar 29, 2008 |
10.1558/jazz.v1i2.153
|
Popular Music
|
|
|
Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films
|
Simone Varriale |
Jazz Research Journal |
Vol 6 No. 1 (2012)
|
Oct 12, 2012 |
10.1558/jazz.v6i1.27
|
Popular Music
|
|
|
When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen
|
Morris B. Holbrook |
Jazz Research Journal |
Vol 1 No. 1 (2007) May 2007
|
Mar 1, 2007 |
10.1558/jazz.v1i1.99
|
Popular Music
|
|