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Book: The Making of the Musical World

Chapter: The Music Tree

DOI: 10.1558/equinox.27319

Blurb:

The story begins with something very familiar: the drum kit as used in most American popular music. The drum kit is described using terms that may be less familiar, but that will be important for comparing instruments and musical forms across cultures. Through this description, some of the most fundamental concepts and terms that will be used throughout the book are introduced, including the general definition of “music” as a way of organizing sound that is different from speech, the difference between pitched and unpitched sounds, the basics of musical rhythm and meter, the terms used for classifying and comparing musical instruments cross-culturally, the need to avoid “ethnocentric” descriptions and judgments in general, and the challenge of representing musical sound in a visual form that is not ethnocentric. The solution to this challenge that is used throughout the book, a graphic notation based on the “piano roll” system used in much music software nowadays, is explained here. Also introduced is a metaphor around which the book is structured: the image of today’s global popular music style as a “tree” with its trunk in the USA and with roots and branches both reaching around the world. Two of the main “roots” are identified through a specific musical feature: the drum kit’s “backbeat,” which is seen to arise from an interaction of European and African approaches to rhythm in an American historical context.

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