Blurb:

This article provides an overview of information gathered from ethnographic accounts regarding how premodern groups around the world understand sound in rock art landscapes. The data has been divided into three main sections: sounds related to the production of rock art, sounds produced by lithophones and sonorous landscapes, and sounds produced by spirits believed to inhabit the rocks. The article ends with a reflection on the possibilities and limitations of archaeoacoustic interpretation in the Western Mediterranean – an area in which there are no informed sources.