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Book: Investigative Creative Writing

Chapter: Subject Index

DOI: 10.1558/equinox.40592

Blurb:

After the Orange Glow 229, 231
Age of the Demon Tools 178
Beatles (the) 30
Beautifully Grotesque Fish of the
American West 179, 183, 184
Black Panthers 240
Black Sabbath 214
Boston (the band) 202
Bottom Feeder 177, 184
Bruegel the Elder, Pietre 171
Burgkmair, Hans 173
Bush, George H. 188
Bush, George W. 147
Butler, Rob (RJB Photo) 157, 168,
174–176
Chum 46, 159, 162, 177, 184
Citizenship 15, 69, 115, 148–149,
232–252
Civilization 143–144, 169–170, 177,
184
Cronin, Kevin 229
Crypto-Arkansas 178
Department of Film, Theatre, and
Creative Writing, University of
Central Arkansas 99

Department of Writing, University
of Central Arkansas 89–90, 99
Descriptive writing 21
Dialogue (use of) 2, 13, 28, 33–48,
51–53, 68, 72, 78, 81, 125, 133,
162, 207
Diversity (cultural, racial) 121–127,
130–131, 236, 238–239
Docupoetry 114
Double effect 26–31
Elephant Man 30
Elvis 30
Enkidu 143, 169–171
Environmental (eco-) writing /
research / pedagogy 4–6, 9, 12,
14, 15, 61, 64, 67–69, 72, 73, 74,
129, 141–150, 152–184, 244–247,
249–250
Experiential education 4
Exquisite Corpse (literary journal)
91, 105, 113, 116, 212, 230
Extreme puppet theater 13, 59–80
Fatboy Slim 203
Fish (Fisheries, Fishing) 4, 9, 24,
43, 129, 142, 152, 153, 154, 156,
157–160, 162, 164–165, 177–184,
208–209, 249–250, 252From Absinthe to Abyssinia 25
Garapaima 151–154, 156–160, 162,
177, 184
Gilgamesh 143, 150, 169–170, 177,
184
Global warming (climate change)
2, 141, 143, 145, 147, 161, 162,
177, 183
GLURK! 154, 162, 182, 184
Hendrix, Jimi 202
In Search of Monster Fish 183, 184
Investigative creative writing 1–18,
163, 187, 206, 227, 240, 249,
250–251
character development 222–225
eco-fiction 5, 6, 14, 151–162,
163, 250
hypotheticals 189, 193–197,
199, 206
journalism 4
manic cadaver 202–204
manic flash fiction 204–207
nonfiction 5, 7, 14, 163–184,
248, 250
OED poetry 218–222
opposites 189, 190–197, 199
poetics 5, 14, 163, 178, 241,
250
poetry (verse) 4–6, 18, 152,
203, 240–242
postcard fiction 207–210
Q & A 189, 197–199, 206
spy teams 199–202, 203
Investigative writing 4
Jackson, Blanket 30
Jackson, Michael 30

Jackson, Samuel 42
Jobs, Steve 31, 32
John the Baptist 174
Joplin, Janis 203
Koch brothers 143
Laden, Osama bin 29
Lyric essay 5–6
Magic manic investigative cut-up
214–218
Make it new 26, 32
Making a difference 3, 11, 12, 15,
31, 44, 111, 142, 149, 158, 162,
178–184, 213, 222, 247–251
Master E. S. 168
Me Too movement 136
Mormon Tabernacle Choir 202
Moses 44, 235
Multiple-personality pedagogy 13,
51–58
Narration 36, 37, 39–40, 47, 53, 125,
235
Nebuchadnezzar 173
Osbourne, Ozzy 214
Potter, Harry 203
Postmodernism 4, 24, 27, 28, 114,
189, 191, 197
Power (via writing) 1–18, 21, 31, 33,
40, 51, 57, 59, 70, 81, 89, 91–93,
98–99, 101, 115, 130, 141, 149,
155, 162, 187, 189, 208, 210, 213,
229, 230, 232, 249–251
Primal Scream 227
Proze Attack 246, 252Pulp Fiction 42
Realism 24, 27, 31, 41, 224
REO Speedwagon 229
Rolling Stones 3
Saint Onuphrius 173
Show not tell (SNT) 12, 21–32,
56–57, 65, 200
Single effect 26, 32
Shakespeare and Company 133, 193
Something else 13, 15–16, 59,
65–80, 187, 189, 199, 209–210,
216, 249, 250
Sonic Youth 202
Spiderman 11, 250
Sponge Bob Square Pants 219
Spontaneous investigative prose
226–230
Stravinsky, Igor 202
Surrealism 202, 203, 214, 222, 230,
236
The Pigs Drink from Infinity 194,
212, 216, 231

Toad Suck Review 3, 91, 99, 105,
116, 211, 230
Travolta, John 42
University of Central Arkansas
Mission Statement 90, 148,
237–239, 252
Van Halen 202
Voice (use of) 4, 8–9, 13, 14, 34, 37,
51–58, 64, 75, 81, 84, 89–92, 98,
101, 104, 121–122, 125, 142, 195,
210, 215, 223, 227, 235, 243–249
Weinstein, Harvey 136
Wildness (the Wild) 143–144, 163,
167, 170, 171, 182
Wilderness 7, 14, 143–144, 154,
162, 163–184
Wild people (wild man, wild
woman) 7, 14, 163–184
Workshopping 14, 53–66, 69–80,
117–137, 191, 195, 207–208, 210,
213, 216, 218, 223, 226, 231,
234–236

Chapter Contributors

  • Mark Spitzer (mspitzer@uca.edu - markspitzer) 'University of Central Arkansas'