Vol 4 No. 3 (2009)

Journal: Popular Music History

Published: Feb 10, 2011

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Section Title Author Published
‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 Alf Arvidsson Feb 9, 2011
The production of English rock and roll stardom in the 1950s Martin Cloonan Feb 9, 2011
The end of the revival: the folk aesthetic and its ‘mutation’ Allan Moore Feb 9, 2011
Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness Noel McLaughlin Feb 9, 2011
The Vaughan Williams Memorial Library Andy Lineham Feb 9, 2011
Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City James McGrath Feb 9, 2011
Dave Laing, Buddy Holly. London: Equinox; Bloomington: Indiana University Press, 2010. 194 pp. ISBN 978-1-84553-627-5 (pbk). Peter Doyle Feb 9, 2011
Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. Phil Hardy Feb 9, 2011
Sam Taylor-Wood, Nowhere Boy (2009). Spencer Leigh Feb 9, 2011
Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. Rebecca Edwards Feb 9, 2011
Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). Noel McLaughlin Feb 9, 2011
Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). Dave Laing Feb 9, 2011