| Section |
Title |
Author |
Published |
| Articles
|
|
‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 |
Alf Arvidsson |
Feb 9, 2011 |
|
The production of English rock and roll stardom in the 1950s |
Martin Cloonan |
Feb 9, 2011 |
|
The end of the revival: the folk aesthetic and its ‘mutation’ |
Allan Moore |
Feb 9, 2011 |
|
Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness |
Noel McLaughlin |
Feb 9, 2011 |
| Resources
|
|
The Vaughan Williams Memorial Library |
Andy Lineham |
Feb 9, 2011 |
| Reviews
|
|
Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City |
James McGrath |
Feb 9, 2011 |
|
Dave Laing, Buddy Holly. London: Equinox; Bloomington: Indiana University Press, 2010. 194 pp. ISBN 978-1-84553-627-5 (pbk). |
Peter Doyle |
Feb 9, 2011 |
|
Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. |
Phil Hardy |
Feb 9, 2011 |
|
Sam Taylor-Wood, Nowhere Boy (2009). |
Spencer Leigh |
Feb 9, 2011 |
|
Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. |
Rebecca Edwards |
Feb 9, 2011 |
|
Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). |
Noel McLaughlin |
Feb 9, 2011 |
|
Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). |
Dave Laing |
Feb 9, 2011 |