| Section |
Title |
Author |
Published |
| Editorial
|
|
Editorial: Transnational perspectives on jazz |
Catherine Tackley, Tony Whyton |
Oct 7, 2014 |
| Articles
|
|
‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival |
Alison Caroline Eales |
Apr 23, 2014 |
|
The ‘grave disease’: interwar British writers look at ragtime and jazz |
Robert Lawson-Peebles |
Apr 24, 2014 |
|
Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century |
Helen Vera Southall |
Apr 24, 2014 |
|
‘We’ve got a gig in Poland!’: Britain and jazz in World War II |
Will Studdert |
Apr 24, 2014 |
|
Post-World War II Jazz in Britain: Venues and Values 1945–1970 |
Katherine Ann Williams |
Jun 6, 2014 |
| Reviews
|
|
Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. |
Tom Sykes |
Aug 16, 2013 |
|
K. Heather Pinson, The Jazz Image: Seeing Music Through Herman Leonard’s Photography. Jackson, MS: University Press of Mississippi, 2010. 240 pp. ISBN 978- 1604734942 (hbk) £29.74. |
Paul McIntyre |
Apr 24, 2014 |