Issues

Vol 7 No. 2 (2012)

Journal: Popular Music History

Published: Oct 18, 2013

View In OJS: https://www.equinoxpub.com/OLDPMH/issue/view/1810

Section Title Author Published
Introduction
Introduction: making things whole again—the Take That reunion Tim Wise Oct 18, 2013
Articles
Boys will be boys: re-inhabiting the homosocial sphere of Take That David Sanjek Oct 18, 2013
Explorative, authentic and cohesive: factors contributing to successful boy band reunions Anja Löbert Oct 18, 2013
Is any press good press? Framing media content and the reunion(s) of Take That: 2005–2010 Maryn J. Edwards Oct 18, 2013
When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? Michaela Hilbert Oct 18, 2013
Multiple damnations: deconstructing the critical response to boy band phenomena Mark Duffett Oct 18, 2013
Breakup and reunion from a psychoanalytic perspective: some ideas from applied Kleinian psychoanalysis Tobias Nolte Oct 18, 2013
You can make me whole again: popular music tributes embodying the reunion Georgina Gregory Oct 18, 2013
Resources
Resource notes Andy Linehan Oct 18, 2013
Reviews
Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). Dale Carter Oct 18, 2013
Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). Nathan Wiseman-Trowse Oct 18, 2013