| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction: making things whole again—the Take That reunion |
Tim Wise |
Oct 18, 2013 |
| Articles
|
|
Boys will be boys: re-inhabiting the homosocial sphere of Take That |
David Sanjek |
Oct 18, 2013 |
|
Explorative, authentic and cohesive: factors contributing to successful boy band reunions |
Anja Löbert |
Oct 18, 2013 |
|
Is any press good press? Framing media content and the reunion(s) of Take That: 2005–2010 |
Maryn J. Edwards |
Oct 18, 2013 |
|
When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? |
Michaela Hilbert |
Oct 18, 2013 |
|
Multiple damnations: deconstructing the critical response to boy band phenomena |
Mark Duffett |
Oct 18, 2013 |
|
Breakup and reunion from a psychoanalytic perspective: some ideas from applied Kleinian psychoanalysis |
Tobias Nolte |
Oct 18, 2013 |
|
You can make me whole again: popular music tributes embodying the reunion |
Georgina Gregory |
Oct 18, 2013 |
| Resources
|
|
Resource notes |
Andy Linehan |
Oct 18, 2013 |
| Reviews
|
|
Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). |
Dale Carter |
Oct 18, 2013 |
|
Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). |
Nathan Wiseman-Trowse |
Oct 18, 2013 |