| Section |
Title |
Author |
Published |
| Articles
|
|
Of Gods and Monsters: Signification in Franz Waxman's film score Bride of Frankenstein |
Clive McClelland |
May 3, 2017 |
|
Early German Sound Sourcing with Songs in the Trilogy of the Mackeben-Jugo-Engel Ensemble |
Gregg Wager |
May 3, 2017 |
|
“The Meaning of Romance”: Popular Song and Historical Narrative from Arthurian Literature to American Graffiti |
J. Rubén Valdés-Miyares |
May 3, 2017 |
|
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) |
Reba Wissner |
May 3, 2017 |
| Reviews
|
|
Leo Zeitlin, Palestina: An Overture for the Capitol Theatre, New York Edited by Paula Eisenstein Baker and Robert S. Nelson. Middleton, Wisconsin, 2014. [Full score, xix + 59 pp. ISBN 978-0-89579-800-8]. |
Aaron Fruchtman |
May 3, 2017 |
|
The Paragon Ragtime Orchestra, The Pioneers of Movie Music: Sounds of the American Silent Cinema Rick Benjamin, director. Liner notes by Rick Benjamin. 2014. New World Records 80761-2. |
Peter Graff |
May 3, 2017 |
|
Anna Morcom, Hindi Film Songs and the Cinema Aldershot, Hampshire: Ashgate, 2007 [xii, 281 pp. ISBN 9780754651987. $44.95 (paperback)]. SOAS Musicology Series. |
Beth Szczepanski |
May 3, 2017 |