| Section |
Title |
Author |
Published |
| Introduction
|
|
Sound Alliances: An Introduction |
Philip Hayward |
Sep 30, 2015 |
| Articles
|
|
TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea |
Michael Webb |
Sep 30, 2015 |
|
UNCERTAIN IDENTITIES . ' Marketing Tabaran |
Tiffany Hutton |
Sep 30, 2015 |
|
CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos |
Lisa Nicol |
Sep 30, 2015 |
|
SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality |
Philip Hayward |
Sep 30, 2015 |
|
LOOKING OUT An interview with Kev Carmody |
Rob Johnson |
Sep 30, 2015 |
|
BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES |
Chris Lawe Davies |
Sep 30, 2015 |
|
THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality |
Karl Neuenfeldt |
Sep 30, 2015 |
|
JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I |
Andrew N. Weintraub |
Sep 30, 2015 |
|
AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry |
Diane Langman |
Sep 30, 2015 |
| Review Essay
|
|
THREE DECADES OF AUSTRALIAN POPULAR MUSIC |
Michael Flint |
Sep 30, 2015 |
| Reviews
|
|
Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. |
Tony Mitchell |
Sep 30, 2015 |
|
Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin |
Marcus Breen |
Sep 30, 2015 |
|
Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP |
Roderick Nielsen |
Sep 30, 2015 |
|
Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin |
Michael Flint |
Sep 30, 2015 |
|
Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. |
Carolyn Craig |
Sep 30, 2015 |