| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction |
Oli Wilson |
Jan 23, 2017 |
| Articles
|
|
Watching them walk out taller than they walked in: Sydney's venues in 2016 |
Martin Cloonan |
Jan 20, 2017 |
|
Melbourne popular music in the museum: Locating the academy in the sonic city |
Marcus Breen |
Jan 20, 2017 |
|
Perth, unreal city: Perth in the song lyrics of artists from elsewhere |
Jon Stratton |
Jan 20, 2017 |
|
On Hillsong’s continued reign over the Australian contemporary congregational song genre |
Daniel Thornton |
Jan 20, 2017 |
| Reviews
|
|
Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp. |
Dexter L. Thomas Jr |
Jan 20, 2017 |
|
Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. |
Melvin Backstrom |
Jan 20, 2017 |
|
Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. |
Rachel Tollett |
Jan 20, 2017 |
|
Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. |
André Rottgeri |
Jan 20, 2017 |
|
Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. |
Richard Elliott |
Jan 20, 2017 |
|
Eyre, Banning. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. ISBN 978-0-8223-5908-1 (hbk). 416 pp. |
Felicity Clark |
Jan 20, 2017 |
|
Ralf von Appen, André Doehring and Allan F. Moore, eds. 2015. Song Interpretation in 21st-Century Pop Music. Surrey: Ashgate. ISBN 978-1-47242-800-4 (hbk). 282 pp. |
Donna Weston |
Jan 20, 2017 |