Vol 18 No. 2 (2017)

Journal: Perfect Beat

Published: Oct 3, 2017

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Section Title Author Published
Editorial introduction Shelley Brunt, Oli Wilson Aug 18, 2017
In Melbourne tonight: Pop/rock histories and futures Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt Jun 23, 2017
Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table Declan Martin Aug 17, 2017
Playing bluegrass in Australia across country and folk scenes Miriam Amy Jones Aug 17, 2017
Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands Darren Jorgensen Aug 17, 2017
Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. Alison Blair Aug 18, 2017
Hill, Sarah. 2016. San Francisco and the Long 60s. New York: Bloomsbury Academic. ISBN 978-1-6289-2421-3 (pbk). 357 pp. Dave Allen Aug 18, 2017
David Toop. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York and London: Bloomsbury. ISBN 978-1-5013-1451-3 (hbk), 978-1-6289-2769-6 (pbk). 330 pp. Alf Arvidsson Aug 18, 2017
João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. Pauwke Berkers Aug 18, 2017
Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. Jared Mackley-Crump Aug 18, 2017