| Creative Archaeologies Forum
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| Beyond Art/Archaeology: Research and Practice after the ‘Creative Turn’. |
Antonia Thomas, Daniel Lee, Ursula Frederick, Carolyn White |
Feb 2, 2018 |
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| Entangled Concepts and Participatory Practices across Archaeology, Heritage and Art |
Leah Acheson Roberts, Colin Sterling |
Feb 2, 2018 |
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| On Rotating Positions in Archaeology, Art, and Architecture: Grindbakken |
Maarten Liefooghe |
Feb 2, 2018 |
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| To Talk of Turns… Three Cross-Disciplinary Provocations for Creative Turns |
Harriet Hawkins |
Feb 2, 2018 |
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| Afield |
Mike Pearson |
Feb 2, 2018 |
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| Archaeological Imprints: We Follow Lines And Trace Them |
Oscar Aldred, Gísli Pálsson |
Feb 2, 2018 |
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| The Junk Drawer Project: Field Photography and the Construction of Assemblage |
Genevieve Godbout |
Feb 2, 2018 |
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| Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past |
Chris McHugh |
Feb 2, 2018 |
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| Reverse Archaeology: Experiments in Carving and Casting Space |
Rupert Griffiths, Lia Wei |
Feb 2, 2018 |
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| Buildings Archaeology Without Recording |
James Dixon |
Feb 2, 2018 |
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| Šabac: A Cinematographic Archaeology? |
Thomas Kador, Vesna Lukic |
Feb 2, 2018 |
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| Thinking Place – A Creative Exploration of Coastal Erosion |
Elizabeth Anne Bevan, Jane Downes |
Feb 2, 2018 |
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| Towards a Post-Anthropocentric Speculative Archaeology (through Design) |
Ola Ståhl, Mathilda Tham, Cornelius Holtorf |
Feb 2, 2018 |
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| Art/Archaeology: What Value Artistic- Archaeological Collaboration? |
Doug Bailey |
Feb 2, 2018 |