| Section |
Title |
Author |
Published |
| Articles
|
|
“Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey |
Paul A. Merkley, FRSC |
Jun 1, 2009 |
|
Whose Classical Music? Reflections on Film Adaptation |
Lawrence Kramer |
Jun 1, 2009 |
|
“He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) |
Anthony Bushard |
Jun 1, 2009 |
| Interviews
|
|
The Manchurian Candidate (1962): An Interview with David Amram |
William H. Rosar |
Jun 1, 2009 |
| Reviews
|
|
David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 |
Tom Schneller |
Jun 1, 2009 |
|
James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] |
David Cooper |
Jun 1, 2009 |
|
Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] |
Eric Hung |
Jun 1, 2009 |
|
Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] |
Tom Schneller |
Jun 1, 2009 |
| Briefly Noted
|
|
Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. |
Styra Avins |
Jun 15, 2009 |
|
Roger Hickman. Reel Music: Exploring 100 Years of Film Music |
Lora Matthews |
Jun 15, 2009 |