| Section |
Title |
Author |
Published |
| Articles
|
|
Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu |
Timothy Koozin |
Jul 20, 2010 |
|
Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) |
David Pacun |
Jul 20, 2010 |
|
Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) |
Yayoi Uno Everett |
Jul 31, 2010 |
|
Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) |
Tomoko Deguchi |
Jul 20, 2010 |
|
Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) |
Timothy Koozin |
Jul 20, 2010 |
| Reviews
|
|
Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. |
Kheng K. Koay |
Dec 16, 2010 |
|
Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi |
Linda Maria Koldau |
Dec 16, 2010 |
|
Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. |
Judith Bernanke |
Dec 16, 2010 |
|
K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. |
Bradford Lee Eden |
Dec 16, 2010 |
|
Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples |
Matthew Brown |
Dec 16, 2010 |
|
Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis |
Patrick Wood |
Dec 16, 2010 |
|
Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. |
James Parsons |
Dec 16, 2010 |