Vol 3 No. 2 (2010)

Journal: Journal of Film Music

Published: Sep 13, 2011

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Section Title Author Published
The Vision Scenes in Bernadette: Newman's and Powell's Contributions Roland Jackson Apr 22, 2011
“I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey Julia Heimerdinger Apr 22, 2011
“‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” Kate McQuiston Apr 22, 2011
A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" David Cooper, Ian Sapiro Apr 22, 2011
Review Essay
Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content Michael Remson May 13, 2011
Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] Roger Hickman May 13, 2011
Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. Jennifer Matthews May 13, 2011
Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. Stephanie Poxon May 13, 2011