Item Details

Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War

Issue: Vol 19 No. 3 (2016)

Journal: Implicit Religion

Subject Areas: Religious Studies

DOI: 10.1558/imre.v19i3.29626

Abstract:

The late Cold War saw the advent of a new paradigm of woman as hero in apocalyptic English-language science fiction film at its intersection with the horror and action sub-genres. In contrast to the helpless, villainous, and overly sexualized female characters before them, the Alien films’ Ellen Ripley and the Terminator franchise’s Sarah Connor represented practical, courageous women who saved humanity through their actions. These ostensibly secular narratives were rich with religious themes such as incarnation, kenosis, resurrection, faith seeking understanding, messianic expectation, virgin birth, free will, fate, evil, prophetic forewarning, and salvation. They were foundational in establishing, in effect, a humanistic mythos.

Author: George Faithful

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