Item Details

Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia

Issue: Vol 4 No. 2 (2017)

Journal: Journal of World Popular Music

Subject Areas:

DOI: 10.1558/jwpm.28860

Abstract:

Author: Dijana Jelača

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References :

Baker, Catherine. 2007. “The Concept of Turbofolk in Croatia: Inclusion/Exclusion in the Construction of National Music Identity”. In Nation in Formation: Inclusion and Exclusion in Central and Eastern Europe, edited by Catherine Baker et al., 139–58. London: SSEES Publications.

Gordy, Eric. 1999. The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives. University Park, PA: Pennsylvania State University Press.

Jelača, Dijana. 2015. “Feminine Libidinal Entrepreneurship: Towards a Reparative Reading of the Sponzoruša in Turbo Folk”. Feminist Media Studies 15/1: 36–52. https://doi.org/10.1080/14680777.2015.988391

Kronja, Ivana. 2001. Smrtonosni sjaj: Masovna psihologija i estetika turbo folka [Deadly glitter: Mass psychology and the aesthetics of turbo folk]. Belgrade: Tehnokratija.