ABS (Australian Bureau of Statistics). 2020. Labour Force, Australia; GM1—Labour Force Status and Gross Changes (Flows) by Age, Sex, State and Territory, February 1991 onwards. https://www.abs.gov.au/statistics/labour/employment-and-unemployment/labour-force-australia/latest-release (accessed 18 November 2020).
Banks, Mark. 2017. Creative Justice: Cultural Industries, Work and Inequality. London: Rowman and Little.
—2020. ‘The Work of Culture and C-19’. European Journal of Cultural Studies 23/4: 648–54. https://doi.org/10.1177%2F1367549420924687
Bartleet, Brydie-Leigh, Dawn Bennett, Ruth Bridgstock, Paul Draper, Scott Harrison and Huib Schippers. 2012. ‘Preparing for Portfolio Careers in Australian Music: Setting a Research Agenda’. Australian Journal of Music Education 2012/1: 32–41. https://eprints.qut.edu.au/54873/
Bartleet, Brydie-Leigh, Dawn Bennett, Ruth Bridgstock, Scott Harrison, Paul Draper, Vanessa Tomlinson and Christina Ballico. 2020. Making Music Work: Sustainable Portfolio Careers for Australian Musicians. Australia Research Council Linkage Report. Brisbane: Queensland Conservatorium Research Centre, Griffith University.
Bennett, Andy. 2018. ‘Conceptualising the Relationship between Youth, Music and DIY Careers: A Critical Overview’. Cultural Sociology 12/2: 140–55. https://doi.org/10.1177/1749975517750760
Brook, Orian, Dave O’Brien and Mark Taylor. 2020. Culture is Bad for You. Manchester: Manchester University Press. https://doi.org/10.7765/9781526152152
Brunt, Shelley, and Kat Nelligan. 2021. ‘The Australian Music Industry’s Mental Health Crisis: Media Narratives during the Coronavirus Pandemic’. Media International Australia 178/1: 42–46. https://doi.org/10.1177%2F1329878X20948957
Cannizzo, Fabian, and Catherine Strong. 2020. ‘“Put some balls on that woman”: Gendered Repertoires of Inequality in Screen Composers’ Careers’. Gender, Work and Organizations 27/6: 1346–60. https://doi.org/10.1111/gwao.12496
Carr, Paul. 2020. Live Music in Wales: A Report for the Culture Welsh Language and Communications Committee. Online at http://livemusicexchange.org/wp-content/uploads/Paul-Carr-Culture-Welsh-Language-and-CC-Report.pdf (accessed 25 November 2020).
Davidson, Peter, Bruce Bradbury, Trish Hill and Melissa Wong. 2020. Poverty in Australia 2020: Part 1, Overview. ACOSS/UNSW Poverty and Inequality Partnership Report No. 3. Sydney: ACOSS.
Davies, Karen. 2020. ‘Festivals Post Covid-19’. Leisure Sciences 43/1-2: 184–89. https://doi.org/10.1080/01490400.2020.1774000
Duffy, Brook Erin. 2016. ‘The Romance of Work: Gender and Aspirational Labour in the Digital Culture Industries’. International Journal of Cultural Studies 19/4: 441–57. https://doi.org/10.1177%2F1367877915572186
Fileborn, Bianca, Phillip Wadds and Stephen Tomsen. 2020. ‘Sexual Harassment and Violence at Australian Music Festivals: Reporting Practices and Experiences of Festival Attendees’. Australian & New Zealand Journal of Criminology 53/2: 194–212. https://doi.org/10.1177%2F0004865820903777
Gill, Rosalind. 2002. ‘Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Europe’. Information, Communication & Society 5/1: 70–89. https://doi.org/10.1080/13691180110117668
Gill, Rosalind, and Andy Pratt. 2008. ‘In the Social Factory? Immaterial Labour, Precariousness and Cultural Work’. Theory, Culture & Society 25/7-8: 1–30. https://doi.org/10.1177%2F0263276408097794
Glaser, Barney, and Anselm Strauss. 1967. The Discovery of Grounded Theory: Strategies for Qualitative Research. Mill Valley, CA: Sociology Press.
Gross, Sally Anne, and George Musgrave. 2020. Can Music Make You Sick? Measuring the Price of Musical Ambition. London: University of Westminster Press. https://doi.org/10.16997/book43
Gu, Xin, Nevin Domer and Justin O’Connor. 2020. ‘The Next Normal: Chinese Indie Music in a Post-COVID China’. Cultural Trends 30: 63–74. https://doi.org/10.1080/09548963.2020.1846122
Hesmondhalgh, David, and Sarah Baker. 2011. Creative Labour: Media Work in Three Cultural Industries. London: Routledge.
Hunt, Margaret, Lisa Gedgaudas and Michael Seman. 2020. Initial Impacts of the COVID-19 Crisis on the Music Industry in Colorado and the Denver Metropolitan Region. Fort Collins: Colorado State University.
Lefevre, Jules. 2020. ‘The Australian Music Festival Scene is Hanging by a Thread’. Junkee, 21 October. Online at https://junkee.com/australian-music-festival-scene/275194 (accessed 10 November 2020).
Martin, Josh. 2020. ‘Support Act and Association of Artist Managers Announce New Mental Health Program’. NME. Online at https://www.nme.com/en_au/news/music/support-act-and-association-of-artist-managers-announce-new-mental-health-program-2680563 (accessed 9 February 2021).
Morrow, Guy, and Brian Long. 2020. ‘The government says artists should be able to access JobKeeper payments. It’s not that simple’. The Conversation, 26 May. Online at https://theconversation.com/the-government-says-artists-should-be-able-to-access-job-keeper-payments-its-not-that-simple-138530 (accessed 12 February 2021).
Strong, Catherine, and Fabian Cannizzo. 2020. Understanding Challenges to the Victorian Music Industry during COVID-19. Melbourne: RMIT University.
Strong, Catherine, Fabian Cannizzo and Ian Rogers. 2020. The Victorian Music Business Career Life Cycle. Melbourne: RMIT University. Online at https://www.vmdo.com.au/career-paths (accessed 16 November 2020).
Taylor, Ian A., Sarah Raine and Craig Hamilton. 2020. ‘COVID-19 and the UK Live Music Industry: A Crisis of Spatial Materiality’. Journal of Media Art Study and Theory 1/2: 219–41. Online at https://mast-nemla.org/archive/vol1-no2-2020/COVID_19_and_the_UK_Live_Music_Industry.pdf
Threadgold, Steve. 2018. ‘Creativity, Precarity and Illusio: DIY Cultures and “Choosing Poverty”’. Cultural Sociology 12/2: 156–73. https://doi.org/10.1177%2F1749975517722475
VanderStoep, Scott, and Deirdre Johnson. 2009. Research Methods for Everyday Life: Blending Qualitative and Quantitative Approaches. San Francisco: John Wiley.
Warren, Samantha. 2020. ‘Good Vibes Friday: Reflections on Livestreaming during the COVID-19 Lockdown’. Dancecult. Online at http://dx.doi.org/10.12801/1947-5403.2020.12.01.05