| Section |
Title |
Author |
Published |
| Introduction
|
|
Editorial introduction |
Oli Wilson, Shelley Brunt |
Aug 27, 2021 |
| Articles
|
|
Pre-existing conditions: Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries |
Catherine Strong, Fabian Cannizzo |
Aug 27, 2021 |
| Riffs
|
|
The impact of COVID-19 on music venues in regional South Australia: A case study |
Rosie Roberts, Sam Whiting |
Aug 27, 2021 |
|
I lost a gig ‘pero ok lang’: Filipino migrant musicians in Australia during the COVID-19 pandemic |
Carljohnson Anacin |
Aug 27, 2021 |
|
‘It Was COVID-19’: Keir Nuttall on life as a songwriter in the pandemic |
Gavin Carfoot |
Aug 27, 2021 |
|
Being a DJ in a time of zero social huddling: Tales from a locked-down India |
Pradip Sarkar |
Aug 27, 2021 |
|
Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China |
Weida Wang |
Aug 27, 2021 |
|
Riffing on course redesign: Leveraging pedagogy for teaching music online |
Benjamin Phipps |
Aug 27, 2021 |
|
Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic |
Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold |
Aug 27, 2021 |
|
Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student |
Alice Rose |
Aug 27, 2021 |
|
Virtual shakuhachi with dai-shihan Michael Chikuzen Gould: Shakuhachi learning before and during the pandemic |
Sarah Renata Strothers |
Aug 27, 2021 |