Send in the Clones
ID: 1598 - View Book Page - Edit In OJS
Although musical tributes play a significant role within contemporary culture and despite their relative longevity as a form of entertainment, little serious research has been published on the subject. Send in the Clones makes an important contribution to the understanding of the phenomenon of the tribute band by linking it to other types of imitative entertainment such as ‘ghost’, cover and parody bands. It also demonstrates the impact of a changing cultural Zeitgeist on the evolution of popular music tributes, showing how music tributes can be related to other examples of retrospection. These influences are linked to the impact of new technology in making the art of paying tribute possible, showing how certain developments have created the musical equipment and apparatus for self-promotion, marketing and communication with fans.
Whilst critical opinion on this type of entertainment remains divided, the author challenges negative responses through an interrogation of critiques of imitative cultural practices within a broader historical and cultural framework. The diversity of the homage industry is highlighted and the book avoids concentrating solely on well-known tributes, looking too, at the work of those operating in the ‘alternative’ tribute scene. The book explores the working life of musicians involved in the ‘bargain basement’ end of the live music industry, using interviews and first hand observations to show the trials and tribulations of paying homage. Finally, through an examination of the audience at tribute events, fandom and associated social and psychological aspects of participation are explored.
Click here to hear an interview with Georgina Gregory aired on Arena (RTE Radio 1) on the 26th June 2012
Published: Apr 1, 2012
|List of Figures||Georgina Gregory|
|Tribute Bands in Context||Georgina Gregory|
|From “Ghost” and Cover Bands, to Pop Parody and Tributes||Georgina Gregory|
|Establishing a Typology||Georgina Gregory|
|Getting Established and Maintaining a Career||Georgina Gregory|
|The Value of Paying Tribute: Critical Responses||Georgina Gregory|
|Fandom and Collective Participation||Georgina Gregory|
'Some say the past is a foreign country; Georgina Gregory offers a exhaustive guidebook to the musical outlands where rock’s back catalogue becomes reanimated Her spirited and insightful examination of tribute bands celebrates these critically overlooked ensembles as much more than just stand-ins for the ‘real thing.’ The subtle typology she elaborates furthermore illustrates the diversity of goods in the semiotic supermarket: how a sound-like need not be a look-alike; and how a tribute group can cross not only genre but gender, too.'
David Sanjek, Professor of Music, University of Salford
'Georgina Gregory has shone a spotlight on the little-studied world of tribute bands and their fans. Her brightly-written book serves up a heady and original interdisciplinary potion, a mix of cultural studies, (firmly grounded) contemporary history, ethnography and other ingredients. She makes the importance of the phenomenon abundantly clear, while providing engaging portrayals of its eccentricities and explaining the difficulties encountered in bringing it in from the margins of popular music studies. Insights into the relationships between notions of the artist and the craft worker, the textual and the performative, the original and the reproduction, the artiste and the fan, heritage and memory, are transferable to related areas of cultural history and its 'uses'. This splendid, enthusiastic, articulate book deserves to be widely read and discussed, within and beyond an extensive academic constituency.'
John K. Walton, IKERBASQUE, Department of Contemporary History, University of the Basque Country, Leoia, Bilbao, Spain