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Representations of Antiquity in Film

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Representations of Antiquity in Film offers an introduction to how the ancient world is represented in film and especially Hollywood cinema. McGeough considers the potential that movies have for helping us think about antiquity and their relationship to more traditional academic historical work. The book shows how contemporary issues are drawn out through the cinematic presentations of the past and how modern values are naturalized through their presentation in ancient settings. Through discussion of films from the silent film era to the present, McGeough traces the formative role that films of various genres have had in shaping our perceptions of Egypt, Mesopotamia, the Holy Land, Greece, Rome, barbarian Europe, and the Maya. Not ignoring the traditional historical epic film, the book also presents detailed analyses of comedies, action films, art house fare, exploitation flicks and any type of movie in which audiences experience depictions of the past. By considering cinematic narrative as well as various elements of film design, McGeough presents a comprehensive overview of the topic designed for students and scholars with varying backgrounds in media studies, archaeology, religious studies, and ancient history.

Published: Jun 22, 2022

Series


Section Chapter Authors
Front Matter
List of Figures Kevin McGeough
Acknowledgements Kevin McGeough
Introduction
The Importance of Popular Culture Kevin McGeough
Chapter 1
Film as History and History as Hyperreality Kevin McGeough
Chapter 2
Epic Egyptian Kitsch: Historical Thinking and Statecraft in Ancient Epics Kevin McGeough
Chapter 3
Nero the Nazi and Akhenaten the Lutheran: The Presentism of the Ancient World on Film Kevin McGeough
Chapter 4
Evil Seductresses, Feisty Housewives, and the Temptation of Victor Mature Kevin McGeough
Chapter 5
The Judean People’s Front and Jesus’s Mod Tour Bus: Musicals and Comedies Set in the Ancient World Kevin McGeough
Chapter 6
From the Arthouse to the Grindhouse: The Ancient Epic Subverted Kevin McGeough
Chapter 7
Gods, Monsters, and Musclemen Kevin McGeough
Chapter 8
Cavegirls and the Upper Paleolithic Fur Bikini Kevin McGeough
Chapter 9
The New Epic: Ultraviolence, Comic Books, and CGI Kevin McGeough
Chapter 10
Conclusions Kevin McGeough
End Matter
References Kevin McGeough
Subject Index Kevin McGeough
Film and Television Index Kevin McGeough
Actor/Performer Index Kevin McGeough
Filmmaker Index Kevin McGeough
Scholar Index Kevin McGeough

Reviews

An excellent proposal for reflection and problematization of relations between History, Archaeology, Philology and Cinema, based on an essential question for popular culture: how to reconstruct the past? How to convey a “historical truth” or construct your own “historical truth”?
CADMO: Journal for Ancient History