Venue Stories
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Venue Stories is an anthology of creative non-fiction that remembers, celebrates and reinvigorates our complex and plural relationship with small and independent music spaces. Written by musicians, promoters, fans and academics who have a shared passion for small music venues and musical cultures in all their splendid variety, this anthology features memoir, essays, life writing, historiography and autoethnography. Each chapter is united by a focus on the personal, the sensory and half-remembered. These are stories that cross disciplinary lines and blur distinctions between creativity, reportage and critical analysis.
Venue Stories pays a visit to the toilet venues, back rooms and ad-hoc club nights that make up so much of our musical landscape. It spends time in small and local venues and asks what they mean in personal and cultural terms. Writers visit celebrated spots, long-forgotten spaces and emergent venues. Whatever the lineage, they are independent, original and wonderfully weird. The stories are memories of seismic gigs and life-altering raves. They are mosaic remembrances and recollections; funny, heart-breaking, rage induced and sometimes a combination of all of these things. This is a collection of stories by and for fans, band members, merch sellers, pint pullers, journalists with a freebie, roadies with a backache and sound techs with an earache.
Published: Sep 29, 2023
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Reviews
An always exciting and superbly written collection. For if ‘Venue Stories’ teaches us anything it’s that these small buildings go way beyond their modest surroundings. These cathedrals of sound in fact are the only religious altars worth flocking to.
Louder than War
Rich in content and histories, the many individual narratives in Venue Stories are woven together and offer a model for those working through creative non-fiction as a methodology for writing histories pertaining to music, place and experience. The hidden microhistories of individuals represent larger structures of culture and community and are afforded agency to speak; the very nature of this book is radically effective.
Dancecult