| Section |
Title |
Author |
Published |
| Introduction
|
|
TRAJECTION -AN INTRODUCTION |
PHILIP HAYWARD |
Oct 6, 2015 |
| Short Notices
|
|
MUSIC ARCHIVE FOR THE PACIFIC |
MICHAEL HANNAN |
Oct 6, 2015 |
| Articles
|
|
THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll |
PETER COX |
Oct 6, 2015 |
|
SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music |
Andrew MURPHIE |
Nov 6, 2015 |
|
TEMPTATION AND EXPLOITATION Apple House Music, the Copyright Loophole and Legal Bootlegging |
RAELENE LAWRANCE, KERRYN WELSH |
Oct 6, 2015 |
|
QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA |
DON NILES |
Oct 6, 2015 |
|
DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session |
JON FITZGERALD |
Oct 6, 2015 |
|
AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand |
SARA VUI-TALITU |
Oct 6, 2015 |
|
CROSS-CULTURAL CONNECTIONS An Overview of Musical Change on the Yap islands of Micronesia |
DEIRDRE MARSHALL-DEAN |
Oct 6, 2015 |
| Review Essay
|
|
DIRECTIONS IN POPULAR MUSIC STUDIES |
BRUCE JOHNSON |
Oct 6, 2015 |
|
AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY |
GEORGE H. LEWIS |
Oct 6, 2015 |