| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music
|
Anthony Kwame Harrison |
Perfect Beat |
Vol 13 No. 1 (2012)
|
Nov 20, 2012 |
10.1558/prbt.v13i1.29
|
Popular Music
|
|
|
Music festivals and regional development policy: towards a festival ecology
|
Chris Gibson |
Perfect Beat |
Vol 14 No. 2 (2013)
|
Jan 30, 2014 |
10.1558/prbt.v14i2.140
|
Popular Music
|
|
|
Electronic dance music, the rock myth, and authenticity
|
John Gunders |
Perfect Beat |
Vol 13 No. 2 (2012)
|
Jun 4, 2013 |
10.1558/prbt.v13i2.147
|
Popular Music
|
|
|
Imagining Okinawa: Japanese pop musicians and Okinawan music
|
Matt Gillan |
Perfect Beat |
Vol 10 No. 2 (2009)
|
Aug 17, 2009 |
10.1558/prbt.v10i2.177
|
Popular Music
|
|
|
Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand
|
Tony Mitchell |
Perfect Beat |
Vol 10 No. 2 (2009)
|
Aug 17, 2009 |
10.1558/prbt.v10i2.145
|
Popular Music
|
|
|
Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music
|
Qian Wang |
Perfect Beat |
Vol 13 No. 2 (2012)
|
Jun 4, 2013 |
10.1558/prbt.v13i2.127
|
Popular Music
|
|
|
'Like him or loathe him':
critical reactions to André Rieu in Australia
|
Sarah Keith |
Perfect Beat |
Vol 13 No. 1 (2012)
|
Nov 20, 2012 |
10.1558/prbt.v13i1.7
|
Popular Music
|
|
|
The success of hopelessness: the evolution of Korean indie music
|
Hyunjoon Shin |
Perfect Beat |
Vol 12 No. 2 (2011)
|
Jan 30, 2012 |
10.1558/prbt.v12i2.147
|
Popular Music
|
|
|
‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity
|
Paul Oldham |
Perfect Beat |
Vol 14 No. 2 (2013)
|
Jan 30, 2014 |
10.1558/prbt.v14i2.120
|
Popular Music
|
|
|
New age music and Japanese tradition: Kitaro Live in Yakushiji
|
Kimi Coaldrake |
Perfect Beat |
Vol 13 No. 1 (2012)
|
Nov 20, 2012 |
10.1558/prbt.v13i1.49
|
Popular Music
|
|
|
Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu
|
Phil Hayward |
Perfect Beat |
Vol 10 No. 1 (2009) Television special
|
Jan 27, 2009 |
10.1558/prbt.v10i1.59
|
Popular Music
|
|
|
Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs
|
Julie Rickwood |
Perfect Beat |
Vol 15 No. 1 (2014)
|
Mar 6, 2015 |
10.1558/prbt.v15i1.17145
|
Popular Music
|
|
|
Governmental as anything: live music and law and order in Melbourne
|
Shane Homan |
Perfect Beat |
Vol 11 No. 2 (2010)
|
Oct 27, 2010 |
10.1558/prbt.v11i2.103
|
Popular Music
|
|
|
Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study
|
Manolete Mora |
Perfect Beat |
Vol 12 No. 1 (2011)
|
Jul 4, 2011 |
10.1558/prbt.v12i1.45
|
Popular Music
|
|
|
The iTunization of pop: Mobile music and youth social networks
|
Anthony Y.H. Fung |
Perfect Beat |
Vol 15 No. 1 (2014)
|
Mar 6, 2015 |
10.1558/prbt.v15i1.16737
|
Popular Music
|
|
|
On Hillsong’s continued reign over the Australian contemporary congregational song genre
|
Daniel Thornton |
Perfect Beat |
Vol 17 No. 2 (2016)
|
Jan 20, 2017 |
10.1558/prbt.v17i2.30963
|
Popular Music
|
|
|
Emo online: networks of sociality/networks of exclusion
|
Rosemary Overell |
Perfect Beat |
Vol 11 No. 2 (2010)
|
Dec 3, 2010 |
10.1558/prbt.v11i2.141
|
Popular Music
|
|
|
All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett
|
Catherine Strong |
Perfect Beat |
Vol 15 No. 2 (2014)
|
Jul 10, 2015 |
10.1558/prbt.v15i2.18363
|
Popular Music
|
|
|
Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians
|
Barry Hill, Jon Fitzgerald |
Perfect Beat |
Vol 13 No. 2 (2012)
|
Jun 4, 2013 |
10.1558/prbt.v13i2.161
|
Popular Music
|
|
|
Youth, radio and Australian popular music policy
|
Chris K. Wilson |
Perfect Beat |
Vol 14 No. 2 (2013)
|
Jan 30, 2014 |
10.1558/prbt.v14i2.100
|
Popular Music
|
|
|
Music as territory: Aksim Siming and stringband music in the Madang area
|
Junichiro Suwa |
Perfect Beat |
Vol 10 No. 2 (2009)
|
Aug 17, 2009 |
10.1558/prbt.v10i2.197
|
Popular Music
|
|
|
Thai television and pleeng luuk tung: The role of television in the Isan cultural revival
|
James Leonard Mitchell |
Perfect Beat |
Vol 10 No. 1 (2009) Television special
|
Feb 17, 2009 |
10.1558/prbt.v10i1.81
|
Popular Music
|
|
|
‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations
|
Katelyn Barney |
Perfect Beat |
Vol 13 No. 1 (2012)
|
Nov 20, 2012 |
10.1558/prbt.v13i1.69
|
Popular Music
|
|
|
Whose home; which island?: displacement and identity in ‘My Island Home’
|
Jon Stratton |
Perfect Beat |
Vol 14 No. 1 (2013)
|
Oct 18, 2013 |
10.1558/prbt.v14i1.33
|
Popular Music
|
|
|
An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes
|
Samuel Charles Whiting |
Perfect Beat |
Vol 16 No. 1-2 (2015)
|
Nov 4, 2015 |
10.1558/prbt.v16i1-2.28549
|
Popular Music
|
|
|
Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music
|
Michael Richard Clement Jr. |
Perfect Beat |
Vol 16 No. 1-2 (2015)
|
Nov 9, 2015 |
10.1558/prbt.v16i1-2.22321
|
Popular Music
|
|
|
Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea
|
Kirsty Gillespie |
Perfect Beat |
Vol 11 No. 1 (2010)
|
Apr 8, 2010 |
10.1558/prbt.v11i1.7
|
Popular Music
|
|
|
Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books
|
APRIL K. HENDERSON |
Perfect Beat |
Vol 8 No. 4 (2008)
|
Oct 3, 2015 |
10.1558/prbt.v8i4.28695
|
Popular Music
|
|
|
Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC
|
Jon Fitzgerald |
Perfect Beat |
Vol 10 No. 1 (2009) Television special
|
Feb 17, 2009 |
10.1558/prbt.v10i1.15
|
Popular Music
|
|
|
Popular music, cultural policy, and the Festival of Pacific Arts
|
Dan Bendrups |
Perfect Beat |
Vol 14 No. 2 (2013)
|
Jan 30, 2014 |
10.1558/prbt.v14i2.158
|
Popular Music
|
|