| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70
|
Ilario Meandri |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37323
|
Popular Music
|
|
|
Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s
|
Alessandro Bratus |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37322
|
Popular Music
|
|
|
The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s
|
Alessandro Cecchi |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37321
|
Popular Music
|
|
|
Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s
|
Marco Cosci |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37320
|
Popular Music
|
|
|
Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle
|
Maurizio Corbella |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37319
|
Popular Music
|
|
|
Source and Myth: Opera in Italian Cinema of the 1960s
|
Matteo Giuggioli |
Journal of Film Music |
Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s
|
Sep 27, 2018 |
10.1558/jfm.37318
|
Popular Music
|
|
|
Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925
|
Carolin Beinroth, Claudia Bullerjahn |
Journal of Film Music |
Vol 7 No. 2 (2014)
|
Nov 24, 2017 |
10.1558/jfm.30971
|
Popular Music
|
|
|
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
|
Reba Wissner |
Journal of Film Music |
Vol 7 No. 1 (2014)
|
May 3, 2017 |
10.1558/jfm.30618
|
Popular Music
|
|
|
“The Meaning of Romance”: Popular Song and Historical Narrative from Arthurian Literature to American Graffiti
|
J. Rubén Valdés-Miyares |
Journal of Film Music |
Vol 7 No. 1 (2014)
|
May 3, 2017 |
10.1558/jfm.27582
|
Popular Music
|
|
|
Of Gods and Monsters: Signification in Franz Waxman's film score Bride of Frankenstein
|
Clive McClelland |
Journal of Film Music |
Vol 7 No. 1 (2014)
|
May 3, 2017 |
10.1558/jfm.27224
|
Popular Music
|
|
|
Early German Sound Sourcing with Songs in the Trilogy of the Mackeben-Jugo-Engel Ensemble
|
Gregg Wager |
Journal of Film Music |
Vol 7 No. 1 (2014)
|
May 3, 2017 |
10.1558/jfm.27096
|
Popular Music
|
|
|
Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló
|
Talya Berger, Jonathan Berger |
Journal of Film Music |
Vol 7 No. 2 (2014)
|
Apr 29, 2017 |
10.1558/jfm.31323
|
Popular Music
|
|
|
Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana
|
C. Letcher |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.30702
|
Popular Music
|
|
|
Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops
|
Emilio Audissino |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.30701
|
Popular Music
|
|
|
The British Library’s Francis Chagrin Collection: Joining the Dots
|
Alexis Bennett |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.30700
|
Popular Music
|
|
|
The Barry Gray Archive
|
François Evans |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.29830
|
Popular Music
|
|
|
Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive
|
Alessandro Bratus |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.29828
|
Popular Music
|
|
|
Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds
|
David Cooper, Ian Sapiro, Laura Anderson, Sarah Hall |
Journal of Film Music |
Vol 6 No. 2 (2013)
|
Aug 5, 2016 |
10.1558/jfm.29827
|
Popular Music
|
|
|
“Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas
|
Tim Summers |
Journal of Film Music |
Vol 6 No. 1 (2013)
|
Jan 12, 2015 |
10.1558/jfm.v6i1.75
|
Popular Music
|
|
|
Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf
|
Alexis Luko |
Journal of Film Music |
Vol 6 No. 1 (2013)
|
Nov 27, 2014 |
10.1558/jfm.v6i1.5
|
Popular Music
|
|