| Section |
Title |
Author |
Published |
| Introduction
|
|
Editorial introduction |
Shelley Brunt, Oli Wilson |
Dec 17, 2021 |
| Articles
|
|
K-pop beyond the lockdown: Fandom, participation, and experiencing community online |
Hae Joo Kim |
Sep 8, 2021 |
|
The role of communication technologies between choreographer and composer during Aotearoa/New Zealand’s COVID-19 response |
Jesse Austin-Stewart, Jason Wright |
Dec 17, 2021 |
|
Jealous corona: Social media, musical propaganda and public health in Vietnam |
Lonán Ó Briain |
Sep 9, 2021 |
|
The embodiment of ‘Chinese strength’: Cultural collectivism in the lyrics of epidemic songs |
Wenyu Zhong, Mengyu Luo |
Nov 15, 2021 |
|
Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic |
François Mouillot |
Dec 2, 2021 |
|
Precarious scenes: Fieldwork in Hong Kong through protest and pandemic |
Jonathan Chan |
Dec 17, 2021 |
|
‘It was hard before and it’s even harder now’: The impact of COVID-19 on Australia’s live music and arts entertainment industries |
Kat Nelligan, Pariece Nelligan |
Nov 26, 2021 |
|
The Jazz Social: Jazz performance during COVID |
Leigh Carriage, Toby Wren |
Sep 9, 2021 |
|
The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne |
Al Marsden |
Nov 18, 2021 |
|
Creative collaboration in the cloud: Using Splice Studio and Audiomovers to enhance online music education outcomes |
Barry Hill |
Nov 18, 2021 |
|
Pandemic pedagogy and facilitating connection |
Katherine In-Young Lee |
Sep 9, 2021 |