Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2)

Journal: Perfect Beat

Published: Dec 21, 2021

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Section Title Author Published
Editorial introduction Shelley Brunt, Oli Wilson Dec 17, 2021
K-pop beyond the lockdown: Fandom, participation, and experiencing community online Hae Joo Kim Sep 8, 2021
The role of communication technologies between choreographer and composer during Aotearoa/New Zealand’s COVID-19 response Jesse Austin-Stewart, Jason Wright Dec 17, 2021
Jealous corona: Social media, musical propaganda and public health in Vietnam Lonán Ó Briain Sep 9, 2021
The embodiment of ‘Chinese strength’: Cultural collectivism in the lyrics of epidemic songs Wenyu Zhong, Mengyu Luo Nov 15, 2021
Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic François Mouillot Dec 2, 2021
Precarious scenes: Fieldwork in Hong Kong through protest and pandemic Jonathan Chan Dec 17, 2021
‘It was hard before and it’s even harder now’: The impact of COVID-19 on Australia’s live music and arts entertainment industries Kat Nelligan, Pariece Nelligan Nov 26, 2021
The Jazz Social: Jazz performance during COVID Leigh Carriage, Toby Wren Sep 9, 2021
The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne Al Marsden Nov 18, 2021
Creative collaboration in the cloud: Using Splice Studio and Audiomovers to enhance online music education outcomes Barry Hill Nov 18, 2021
Pandemic pedagogy and facilitating connection Katherine In-Young Lee Sep 9, 2021